Podcasts & Audio

Grace’s Folly

By JAKE LANCASTER

When I can’t sleep I drive up to the ski hill and ride around with Tic in his snowcat until all the runs are groomed and my head’s raked clean, just before first light. I bring a Thermos full of hot chocolate mixed with a few shots of Rumple Minz, stale donut holes from Village Foods, and sometimes an uplifting book about how to live a better life that I always end up losing before I can give it back to my sister, Deena. Because it’s almost Christmas, the donut holes are decorated with tiny red and green sprinkles.

Grace’s Folly
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Podcast: Sindya Bhanoo on “Tsunami Bride”

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Transcript: Sindya Bhanoo Podcast

Sindya Bhanoo speaks to managing editor Emily Everett about her story “Tsunami Bride,” which appears in The Common’s new fall issue. Sindya talks about her experience reporting from India after the 2004 tsunami, and how that experience eventually became a story about a journalist in the same position, told from a local’s perspective. She also discusses how the training and techniques she developed as a journalist have shaped her drafting and revision process for fiction, how food often makes its way into her stories, and how her 2022 story collection Seeking Fortune Elsewhere came together.

sindya bhanoo headshot with cover of issue 24

Podcast: Sindya Bhanoo on “Tsunami Bride”
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Podcast: Meera Nair on “The Desire Tree”

 

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Transcript: Meera Nair Podcast

Meera Nair speaks to managing editor Emily Everett about her essay “The Desire Tree,” which appears in The Common’s new fall issue. Meera talks about the long process of writing this piece, which explores loss and longing through a visit to a banyan tree in Kerala, India that is said to grant prayers. She also discusses writing from memories, finding the right length for a piece, and teaching revision strategies to her creative writing students.

headshot of Meera nair next to issue 24 cover

Podcast: Meera Nair on “The Desire Tree”
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Perfect Storms

By ALEXANDRA TEAGUE

 

The Jungle Cruise

My mother and I are on a chlorinated river that’s somehow simultaneously the Amazon, Congo, and Nile, floating languidly so we don’t run into the boat in front of us and “don’t scare the wildlife”: the kind of joke the Disney guide, in his safari hat and over-pocketed explorer outfit, keeps making.

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Which One is the Lifeline?

By ALEXIS M. WRIGHT

I could tell you,
If I wanted to,
What makes me
What I am.

But I don’t
Really want to—
And you don’t
Give a damn.

—Langston Hughes, “Impasse”

There are two cops from the Orange County Sheriff’s Department standing in my grandmother’s kitchen. We are all gathered around the kitchen island silently negotiating the power dynamics. Two Black women, two White cops. The cops have come to collect the details for the report, but I’m doing most of the talking. Grammy bears witness.

Which One is the Lifeline?
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Reading the Ashes

By ROBIN LEE CARLSON 

Watercolor sketches of stone and dragonfly

I walk slowly, each step sinking a little into the ground. With every footfall, a puff of ash curls upward, dusting the top of my boot and disappearing into the soft stillness of the day. It is a clear day with no clouds, but the air around me has a gentle haze, a film that sometimes resolves into particles, pinpoints of ash in a slanting ray of sunlight. It has been two months since the fire, but the rising ash and the smell of smoke are strong, stinging the back of my throat and settling into a familiar ache in my temples.

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Maiden’s Tower

By TARA SKURTU

 

We pass a lighthouse and you tell me the legend—
a seer, an emperor, his daughter, the snakebite;
the tower he built to keep her at the edge of the sea—
when an old woman passes us on the ferry,
sniffs us twice, You are in love, I smelled it!
and last night on the island, over fresh fish
and a pitcher of ice-cloudy raki, I asked how
many words for love in your language:

Maiden’s Tower
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“Can’t you see I’m a fool”

By LAUREN HILGER

 

I was once in a denim skirt and cowboy hat, spilling milk in a grocery store.
How many songs did I learn to sing I was the fool?
I am a fool. I know I have been a fool—
these are the early future concepts out of which I turned into myself.

“Can’t you see I’m a fool”
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Galleria

By AUSTIN SEGREST


                   
Power, which hides what it can
                                —George Oppen

1/

A kind of hangar by the mall. 
Propulsive dance hits 
looped like the 80s never ended—
B-b-b-b-b-baby, I-I-I-I can’t wait…

Galleria
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Podcast: Ellen Doré Watson on “In Which Raging Weather is a Gift”

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Transcript: Ellen Doré Watson Podcast. 

Ellen Doré Watson speaks to managing editor Emily Everett about her poem “In Which Raging Weather is a Gift,” which appears in The Common’s spring issue. Ellen talks about the importance of letting a poem surprise you as the first draft comes together. She also discusses her thoughts on the revision process, her work translating poetry and prose, and the years she spent running the Smith College Poetry Center.  

Podcast: Ellen Doré Watson on “In Which Raging Weather is a Gift”
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