artist: Travis Meinolf
March 15th, 2013 | 9:00am

If you need a blanket, Travis Meinolf, the self-appointed Action Weaver, will give you one. For free. And it won’t be a common fleece or wool number. It will look like folk art. It could be made by the artist or by many hands, and perhaps strung together from woven cloths of varying stripes, colors, and sizes. These free hand-woven blankets are a component of the artist’s ongoing project Blanket Offer, part of the artist’s grand mission to bring weaving to the masses.

Photo by Allan Rostron
March 13th, 2013 | 9:00am

I grew up in graveyards. We had one at the bottom of our farm drive and on weekdays I would walk through it to catch the bus to school and then back again on the way home. On Saturdays I would be sent on a mission to rake through the piles of recently discarded wreaths to retrieve the plastic ribbons. Anyone receiving a wrapped gift from our family could, if they looked carefully, have spotted the faint marks from the rusted wires and the creases from previously tied bows.

March 12th, 2013 | 9:00am

My sister remembers wondering, when she was a kindergartner, if the sky really looked like her classmates’ drawings of it: a blue stripe on the tops of their papers with white space separating it from the stick figures below.  She remembers having a significant childhood realization when she looked out the window and saw that the sky was not only above her, but all around her. From then on, she colored her entire paper blue.

reviewed by Parker Blaney
March 11th, 2013 | 9:00am

Jennifer Cody Epstein’s The Gods of Heavenly Punishment is a sprawling novel, traversing the era of World War II from 1935 to the air-attack of mainland Japan in 1945, with an epilogue set in the early sixties. The time frame of the story is large, as are many of its scenes, such as Tokyo being firebombed or in the cockpit of a B-25 during Doolittle’s raid. This is a generous novel with heart.

March 8th, 2013 | 9:00am

1.

Late afternoon, late January. I need air, exercise, but my regular walk around Al Manhal Palace is too long; the construction en route to the Corniche too hazardous to navigate. I try to take comfort in the company of my own mind, but today I am a terrible person to be with. Wandering, uninspired, brain-stuck, I find myself in the middle of ten lanes of traffic on a median barely wider than a balance beam. Grumpy as all get out as hot exhaust blasts me by. I need to move, but I have nowhere to go.

I don’t know it yet, but what I need is a dérive.

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