Photo by Flickr Creative Commons user Jibby7
May 24th, 2013 | 11:45am

Photo by Flickr Creative Commons user Jibby7

Don Share published three poems, including “Wishbone,” the title poem of his newest collection, in the first issue of The Common. He's been on a roll ever since, publishing five books as author, translator, or editor in the last year and a half. Here are a few selections from and links to those volumes:

from Wishbone

http://www.blacksparrowbooks.com/isbn.asp?isbn=9781574232196

An excerpt from “Carp Ascending a Waterfall”

Photo by Edward Zhao
May 22nd, 2013 | 8:00am

To get to Shanghai I take a Boeing 777 airplane to a Buick van to an Airbus 320 airplane to a Bombadier subway car to a Hyundai taxicab to a Shinkansen high-speed train to a Xiali taxi. This is China. This is a country in motion.

Why am I surprised? I’ve known this since 1996 when my primary transit in Beijing was a Phoenix Made in China one-speed bicycle. Still, things are changing—have changed—so quickly even language is erased, replaced with new vocabulary I must learn on the go:

高铁 (gao tie: high-speed rail)

reviewed by Gina Lujan Boubion
May 20th, 2013 | 8:40am

If you stand in front of the Kentucky Club bar in Ciudad Juárez and look four blocks north, you see the U.S. and Mexican flags flapping on top of the Santa Fe Bridge to El Paso. Families with roots on both sides of the border once passed fluidly back and forth over that bridge to visit cousins, go to school, grab lunch, get a tooth pulled, or for a night on the town.

The drug wars and immigration crackdowns have radically curtailed that flow, though it’s still possible, albeit scarier, for Americans to pop into the Kentucky Club on the Mexican side for a drink and sit on the same barstools where Al Capone, Elizabeth Taylor, and Marilyn Monroe once perched.

Photo from the University of Lisbon on Flickr Creative Commons
May 15th, 2013 | 8:00am

Bending to a high-power telescope trained on the moon at the McDonald Observatory in the Davis Mountains of west Texas, specifically the terminator line that is the far reach of the sun’s light at this phase—waning Gibbous moon—the contrast of light and dark makes visible the rims and floors of uncountable impact craters. My companion and I can see the crater walls, the striated lines of some long past moment of chaos, the crusted lip of the crater’s edge where the force of that energy lifted and curled into a rift of moon rocks. The sun’s light on the lunar surface is so mesmerizing along that line, so utterly beautiful, that coming away from the eyepiece, all you can see is moon.

Photo by Jonah Sharkey
May 14th, 2013 | 9:15am

The ocean encircles a lone peak.

Rough terrain surrounds this prison.

There are few birds flying over the cold hills.

The wild goose messenger cannot find its way.

In the first half of the twentieth century, a Chinese immigrant carved this poem on the wooden walls of the Angel Island Immigration Station in the San Francisco Bay. It was unsigned, one of many.

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