This year, Bethany Ball’s debut novel What to Do About the Solomons took the literary world by storm, garnering a rave review from The New York Times and a short-listing for The Center For Fiction’s First Novel Prize. In What to Do About the Solomons, Ball writes a provocative, sexy, and darkly funny tale about a multigenerational family with origins in an Israeli kibbutz. She moves us between decades and continents, from lonely childhood to lonely adulthood to the home raid of an alleged money launderer. Perhaps all in a day in for this intricate family that moves simultaneously closer together and farther apart.
In this month’s interview, Dennis Norris II and Bethany Ball talk writing multigenerational families, awkward sex scenes, and more.
Sunna JuhnAwkward Sex Scenes Are My Superpower: An Interview with Bethany Ball
Last fall, Kapur taught at Amherst College. She recently spoke to former student Isabel Meyers about Visiting Indira Gandhi’s Palmist; the intersection of personal and political history; girlhood; family as a sense of place; and trusting the poem’s voice.
Isabel MeyersSome Voice Has Spoken: an interview with Kirun Kapur
Three words to describe the climate: windy in winter
Best time of year to visit?: spring, summer
1) The most striking physical features of this city/town are. . . The skylines and the River Main. Frankfurt was destroyed during the second war, and the skylines give a “fresh air” to the city. Of course, I cannot compare the city to New York or Chicago, but I think the modern architecture makes Frankfurt unique, if we are talking about Germany in general, and fits in general the composition of the city. Everything is around the River Main: holidays, boats, sports, cafes and walkways.
Sunna JuhnAsk a Local: Anzhelina Polonskaya, Frankfurt, Germany
Jill Eisenstadt’s latest book, Swell, was released to acclaim in June—Rolling Stone called it “the literary comeback of the year,”—thirty years after her debut novel with the same setting, From Rockaway.
In Swell, Eisenstadt tells the story of the Glassmans, a family of four who relocate from Tribeca to Rockaway, New York, in the aftermath of 9/11. The house they move into, like the Glassmans themselves, comes with a fraught history; their confrontation with this past reaches a crescendo that will make readers rethink what it means to love thy neighbor.
In this month’s interview, editorial assistant Julia Pike and Eisenstadt discuss marginalized communities, emotional truth, and the author’s return to Rockaway.
Debbie WenOur Quest for Safety: an interview with Jill Eisenstadt
How long have you lived here: One year. Still feels very new.
Three words to describe the climate: Because it’s July, humid – on some days, the air feels like drinking cotton. In the winters, damp. But in the fall – particularly the long falls – and the spring, it feels forgiving.
Best time of year to visit? NOT DERBY. May is a beautiful time in Kentucky, but Derby snarls Louisville traffic in the worst possible way. I say this as a newcomer to the city (while I wrote about Louisville, I had never lived there until this year). It only took one Derby weekend for me to see some of the most ridiculous displays of driving I’ve ever seen. Early summer is a good bet. Fall’s nice too.
Flavia MartinezAsk a Local: Kayla Rae Whitaker, Louisville, Kentucky
Mensah Demary as an editor is most known for his work with Catapult Nonfiction, and more recently, Black Balloon. But Mensah Demary the writer is a force to be reckoned with. The Common published his essay “Blood and Every Beat” in our most recent issue, No. 13. In this month’s Q&A, Interviews Editor Melody Nixon talks with Demary about audience and desire, creative partnerships, “getting out of his own way,” and why the personal essay is not dead (“the idea is absurd”).
Isabel MeyersThe Personal (Essay) is Not Dead: an interview with Mensah Demary
In this month’s interview, Saretta Morgan talks with poet, editor, and academic Muriel Leung about her poetry collection Bone Confetti; queer love; how loss can activate political consciousness; Hortense Spillers; and writing in a state of transition. Bone Confetti was released by Noemi Press in 2016.
Flavia MartinezGestured to and not yet quite: an interview with Muriel Leung
Author Viet Thanh Nguyen is on a hot streak. Since winning a 2016 Pulitzer Prize for The Sympathizer, his nonfiction collection Nothing Ever Dies: Vietnam and the Memory of War and this year’s short-story collection The Refugees have amassed acclaim. In an ultimately uplifting conversation with Alexander Bisley, Nguyen discussed America’s obligation to help Syrian refugees, writers’ political responsibilities, and why the past’s traumas endure.
Julia PikeHistory is Not Over: An Interview with Viet Thanh Nguyen