Translation: Side Entrance to the House
AMAL AL SAEEDI
It always felt as though I was on the cusp of betraying some kind of covenant if I acted out of my own free will. Like someone who drives an expensive car, but doesn’t own it, and is worried about embarrassing themselves if they get into an accident—ignoring the fact that this accident would put their life in danger.
More to the Story
MICHAEL DAVID LUKAS
Any story—any history, for that matter—is a series of inclusions and omissions, a series of truths and deceptions. The story Grandma Betty liked to tell about her life was not dissimilar to the one Grandma Guta and Grandpa Abe told about theirs. A story of hard work and progress, another version of the American Dream.
December 2024 Poetry Feature #1: New Work from our Contributors
JEN JABAILY-BLACKBURN
What do I know / about us? One of us / was called Velvel, / little wolf. One of us / raised horses. Someone / was in grain. Six sisters / threw potatoes across / a river in Pennsylvania. / Once at a fair, I met / a horse performing / simple equations / with large dice. / Sure, it was a trick, / but being charmed / costs so little.
Churning Up Mystery: A Conversation between Theresa Monteiro and Abbie Kiefer
ABBIE KIEFER
Grief can feel like a low hum or a fog—always there, always making you aware of its presence, but in a way that doesn’t require you to examine it. I knew, that if I wanted to write meaningfully about loss, I’d have to think closely about its distinctive shape.
The Laws of Time and Physics
JESSICA PETROW-COHEN
My necklace has a thin silver chain and a pendant made of sapphires. My mommy says she knew that my mama was ready to die when she gave away her jewelry. I can see it all so vividly. It’s happening now, in June, not then, in June, time is collapsing, June is June is June.
What We’re Reading: November 2024
CARSON WOLFE
Exposition Ladies composes a love letter to the poorly scribbled female characters of Hollywood who exist solely to move the plot along. Each poem takes on the persona of one of these unformed vessels, often beginning with ‘I am the exposition lady’. Reminiscent of Carol Ann Duffy's The World's Wife, Exposition Ladies is a perfect example of how a book can contain a singular idea and expand outward.
- ANTÒNIA VICENS One Sunday afternoon, as he leaned over the railing on the roof terrace, moving his fingers, moving his hands, moving his whole body, as if his bones were decomposing, it wasn’t hard at all, no, and it wasn’t even much of a physical effort.
- CAMPBELL MCGRATH I wore a crown. I shat out New Worlds. I fucked countesses / and courtesans, ballerinas and dairy-buttered damsels. / This century will be my last. The Era of Titanic Peasants / recedes and the future wriggles free of old categories.
- BRAD LEITHAUSER “Happy and furry?” she inquires, / of the TV— / but I’ve tuned out. Uh-oh, this may be / tough to unriddle. When you’re eighty-three, // as she is, with creeping dementia—all / sorts of imponderables float by, / and everything the more inscrutable
- MÒNICA BATET At first it made her feel less alone, but later, as she walked on, the lilting sounds morphed into ever more frightening screams, and she had to crouch and cover her ears. Then the ivy shot up and closed in on her, snake-like, twisting around her feet and ankles.
- FARAH PETERSON I could not let her go / For the cherries from / Saturday’s market I used / a sharp coffee spoon / each bright heart-organ / hoards the clit of the fruit / I stabbed and extracted / hurting my thumb / sometimes I couldn’t get / all the meat off
- BOB HICOK Caroline resembled moonlight. / She never appeared when it rained, / made the grass and broken windows / more beautiful, and had me wondering / if our love was waxing or waning. / Yes, she said whenever I asked.
- JILL PEARLMAN Maybe I’m dreaming in the haze with its gleam on my railing, / I dream of bridges, renewal of the world that is also the mind’s renewal / eggs stuck with a few stalks of hay held by manure / fecundity recycled back into a rose
- ZACK STRAIT We thought our need was for the wild summer blackberries. But we were foraging for another memory to sustain us through the evil days to come. And as we ate, the past ripened in clusters for us there among the thorns.
- IQRA KHAN I begin as revelation. As explosion of glottal light against silence. / I am again asking for directions to the Haram, my ankles fluent in Arabic. // I am again asking for direction, ya Haram, my ankles flowing with Arabic! / Hagar, watch how God transforms this wilderness
- MARIA JOSEP ESCRIVÀ There are no paths on the asphalt. Only / a longing for wings. Destiny or planet / of soap, fading pupils speculating / on foolish things: our evanescent lives.
- GRAY DAVIDSON CARROLL It’s January, and in my environmental health science class / this afternoon we talked about Rachel Carson and Silent Spring / And with the EDM pumping through my brand-new noise-canceling headphones / I can’t hear the sounds of the world outside my windows
- CATIE ROSEMURGYWhile Jane never existed, / her sudden sexual hungers and more frequent tenderness / most likely did. / Oh, Jane. You aren’t a child anymore. / Here’s a pinewood doorway for you to stand in. / You started off as a tree...
- OLENA JENNINGS We are stretching towards each other, / words tangling. The words can’t always / be torn apart. Sometimes you / are ти. Sometimes we touch. // Two languages grow close / to one another. They take / the form of plants, vines / intertwining, the leaves of letters.
- THEA MATTHEWS To lasso a calf, cowboys / must first use their weight / to hold the animal down / and then tie the legs together. / Does your mama spank you? / The boy shakes his head. / I tie the boy down with— / She’s gonna spank you today. / I’m gonna ask her to do it.
- KWAME OPOKU-DUKU Was it all simply adornment, / watching the rain fall from the sun, / or the mourning dove that carried / the wallet-sized photo in its beak? / Looking back, it was true— / I had stopped seeing the beauty in it all, / living from moment to moment, / looking to be granted some small sense / of pleasure,…
- MATTHEW TUCKNER In my favorite picture of you, the hair blown across / your face, obscuring your face, it’s easy to make out, / deep in the distance, the hangers of the air force base / classified as a superfund site, a sprawling huddle / of buildings expanding out into the extent of the valley.
- NATHALIE HANDAL He placed his wet lips on mine, and said: / Rome’s history spans three millennia. / Which streets are most alive in you? / He took my green blazer off, / and said: Look at these pines, / look at the ruins of Palatino, / Rome’s mystical birthplace.
- MAURA STANTON But here am I, another “I” / complaining about a favorite broken glass. / Shouldn’t I write about nature and beauty? / By God, I hear you laughing at me, / you hedgehog of a poet, ready to roll up / and point your dangerous spines at anyone / who thinks that poetry should praise not blame.
- KATHERINE HOLLANDER Once there was a rainbow / beyond it, and it was suppertime, and we all came out to look. / I said my faith in humanity was restored / and Bruce said, // A rainbow / has nothing to do with people. And he was right. I gestured / behind us at everyone who had left their plate, and…
- SHANE CASTLE He recognized it for an absence—no, the absence of silence—a something. He would look back years later and remember it as a sub-rosa gnawing that seemed to come from everywhere and nowhere at once, so that, for a moment, he actually wondered if the sound was coming from inside him, like he’d awakened himself, grinding his teeth in…
- By ZORAIDA BURGOS Wearily, but firmly, we twisted / our feeble trunks / around a stump / alone but not sad amid other trees, / entangled roots / clinging till the last / to our rough stony ground.
- ELIZABETH L. HODGES I’m not being cursed because I had sinned— / I’m earning my keep in this grisly trade. / For that I am traif, but come along in. / I’ll lead you to places you’ve never had; / to hell in a basket: one bloody as.
- ANGIE MACRIDanger, as in strangers, men or women; / as in twisters at night when you couldn’t / see them coming; as in the machines that made work so easy you forgot / to watch what you were doing,
- ROBERT CORDING I’m standing in the exact spot / of this photograph, looking at the past— / my middle son, still alive, lying on the rug / at my feet in my oldest son’s house. / On his wide chest, his niece, weeks old, / sleeps, adrift perhaps in the familiarity / of the heart’s steady beat, her memory /…
- IMMA MONSÓ Morning after morning, Lisa would wake up with an easily achievable aspiration: to eat breakfast while contemplating the house at the bottom of the valley, which stood in the distance amidst the fog. When the fog started to fade, she could make out frost-covered shingles...
- TINA VALLÈS Hunger can’t be explained. It’s always unbelievable, especially the hunger of a child. Imagining my father starving when he was younger than ten years old makes me want to time-travel back to my grandparents’ store and bluntly ask: Why did you let your son starve when you had a store full of food?
- JAMES K. BOYCE A human hand reached into the burrow and lifted the downy chick into the daylight. A man carefully measured its wingspan to ascertain the Kid’s age: eight to fourteen days, old enough to self-regulate its body temperature but young enough to imprint on a new home.
- ADRIENNE SU I have come to my senses. / I believe in books, / but they have their place. / The flowers in them lack scent. / Books cannot feed you; / they are at their worst / when imitating romance, / not because they don’t / get it but because / they do: romance is mental.
- DOUGLAS KOZIOL “What happened here?” she asked, tracing her finger along the E-shaped scar on the back of Laura’s hand. The woman’s fingers felt like live wires on Laura’s skin. She pulled her hand away and slid it beneath her thigh. Fatimah stood there, unfazed. Was it possible she didn’t know?
- WYATT TOWNLEY Walking is falling forward. Running // is falling faster. Watch the dark. It falls / so slowly while the sun yanks the rug // out from under you. At night some fall over / a book into a story. Some fall // for each other. We have fallen all the way / here.
- MERCÈ IBARZ Close, so close he can already taste it. This afternoon he’ll become the owner of a secret. But first he’ll have lunch with his mother, who’s waiting for him at the restaurant in the back of the Boqueria Market, and once he’s got her home safely, he’ll meet up with the current owner of a Picasso engraving and…
- IRENE PUJADAS “You need to take responsibility for your life,” F states. She finds it embarrassing to waste a Saturday morning on this nonsense. She then adds: “Do us all a favor and put an end to this circus—or, at the very least, sit in the middle.” You stay where you are.
- CARLOTA GURT On June 6, 1981, the department store El Águila, located on the Plaça de la Universitat, burned to the ground. The fire was talked about all over. The mythical building, crowned by a statue of the homely bird that gave it its name, collapsed, imperial fowl and all.
- DOLORS MIQUEL In the ravine the river roars / the rocks seem made of glass, / the snow swaddles it all, / icy hands on the reins. / In the ravine time demands / in a deep invisible voice / just one human life / to turn into flesh and be free. / Just one human life. // On the cliffs of my soul
- MEGAN TENNANT Before we peel off to bed, Ruth suggests we close with a prayer. We all bow our heads, the buzz of the fluorescent light and grasshoppers growing louder in the silence. I hear the tones of my dad—earnest, grateful—and I feel my head become heavy, my closed eyes twitching.
- ELIZABETH HAZEN Sometimes I dream of gardens— // that same dirt they kick from their cleats could feed us, / grow something to sustain us. But it’s winter. // The ground is cold, and I dare not leave this room; / I want to want to fix this—to love them // after all—but in here I am safe.
- MICHAEL DAVID LUKAS Any story—any history, for that matter—is a series of inclusions and omissions, a series of truths and deceptions. The story Grandma Betty liked to tell about her life was not dissimilar to the one Grandma Guta and Grandpa Abe told about theirs. A story of hard work and progress, another version of the American Dream.
Using The Common in my first-year seminars has been fun, fruitful, and helpfully startling for these classes.”
—Martha Cooley, Associate Professor of English, Adelphi University Receive classroom subscription discounts, lesson plans, and more when you TEACH THE COMMON »
