Poems appear in both French and English.
to lick the skin of the water / with a tongue I don’t speak
Marie-Andrée Gill’s Spawn is a surprising, colorful, virtuosic collection. Its brief, untitled poems span ’90s-kid nostalgia, the life cycle of fresh-water salmon, a coming of age, and the natural landscape of the Mashteuiatsh reserve, centered on Lake Piekuakami—a site of recreation and commerce, a reminder of conquest and ecological decline, a symbol of the ancient world, of sex, of the cycles of life. These poems are tightly interdependent, and Spawn could truly be read as a single, braided, book-length poem. But I want to focus here on a theme that became especially vital to my project of understanding and translating the book: recovery of language.