All posts tagged: LitFest 2022

Belonging Is a Complicated Thing: An Interview with Viet Thanh Nguyen

JENNIFER ACKER speaks with VIET THANH NGUYEN

a conversation between jen and Viet Thanh Nguyen
Viet Thanh Nguyen visited Amherst College in February 2022 in the joint roles of Presidential Scholar and LitFest headliner. In his live conversation with The Common’s editor-in-chief Jennifer Acker, he deployed humor and refreshing honesty to discuss his path to publishing his Pulitzer Prize-winning novel The Sympathizer and its best-selling sequel The Committed. The conversation touched on the complexities of Vietnamese diasporic identity as well as his desire to expand the world of literature to encompass critical thought, breaking through the traditional literary bubble to allow for politics, history, and more. This interview is a collaboration between The Common and Amherst College’s LitFest and is an edited and condensed version of the live conversation.

Belonging Is a Complicated Thing: An Interview with Viet Thanh Nguyen
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Excerpt from “Two Sad Clowns”

By ELIZABETH MCCRACKEN

This piece is excerpted from a story in The Souvenir Museum by Elizabeth McCracken, a guest at Amherst College’s 2022 LitFest. Click here to purchase.

 

Cover of The Souvenir Museum by Elizabeth McCracken, the anthology from which this piece is excerpted. The cover shows a teal balloon dog on a bright yellow background, with the title and author's name in white sans serif font.

 

Even Punch and Judy were in love once. They knew the exact clockwise adjustment required to fit their preposterous profiles together for a kiss, her nose to the left of his nose, his chin to the left of her chin. Before the slapstick and the swazzle, the crocodile and the constable, before above all the baby: they’d known how to be sweet to each other.

Excerpt from “Two Sad Clowns”
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Excerpt from The Committed

By VIET THANH NGUYEN

This piece is excerpted from The Committed by Viet Thanh Nguyen, a guest at Amherst College’s 2022 LitFest. Click here to purchase.

 

Cover of The Committed by Viet Thanh Nguyen, showing a drawing of a man on a yellow background with red text

 

We were the unwanted, the unneeded, and the unseen, invisible to all but ourselves. Less than nothing, we also saw nothing as we crouched blindly in the unlit belly of our ark, 150 of us sweating in a space not meant for us mammals but for the fish of the sea. With the waves driving us from side to side, we spoke in our native tongues. For some, this meant prayer; for others, curses. When a change in the motion of the waves shuttled our vessel more forcefully, one of the few sailors among us whispered, We’re on the ocean now. After hours wind- ing through river, estuary, and canal, we had departed our motherland.

The navigator opened the hatch and called us onto the deck of our ark, which the uncaring world denigrated as merely a boat. By the lopsided smile of the crescent moon, we saw ourselves alone on the surface of this watery world. For a moment we were giddy with delight, until the rippling ocean made us giddy in another way. All over the deck, and all over one another, we turned ourselves inside out, and even after nothing remained we continued to heave and gasp, wretched in our retching. In this manner we passed our first night on the sea, shivering with the ocean breezes.

Dawn broke, and in every direction we saw only the infinitely receding horizon. The day was hot, with no shade and no respite, with nothing to eat but a mouthful and nothing to drink but a spoonful, the length of our journey unknown and our rations limited. But even eating so little, we still left our human traces all over the deck and in the hold, and were by evening awash in our own filth. When we spotted a ship near the horizon at twilight, we screamed ourselves hoarse. But the ship kept its distance. On the third day, we came across a freighter breaking through the vast desert of the sea, a dromedary with its bridge rising over its stern, sailors on deck. We screamed, waved, jumped up and down. But the freighter sailed on, touching us only with its wake. On the fourth and fifth days, two more cargo ships appeared, each closer than the one before, each under a different flag. The sailors pointed at us, but no matter how much we begged, pleaded, and held up our children, the ships neither swerved nor slowed.

Excerpt from The Committed
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Excerpt: Intimacies

By KATIE KITAMURA

This piece is excerpted from Intimacies by Katie Kitamura, a guest at Amherst College’s 2022 LitFest.
Click here to purchase.

Intimacies Book cover

1.
I arrived in The Hague with a one-year contract at the Court and very little else. In those early days when the city was a stranger to me, I rode the tram without purpose and walked for hours at a time, so that I would sometimes become lost and need to consult the map on my phone. The Hague bore a family resemblance to the European cities in which I had spent long stretches of my life, and perhaps for this reason I was surprised by how easily and frequently I lost my bearings. In those moments, when the familiarity of the streets gave way to confusion, I would wonder if I could be more than a visitor here.

Excerpt: Intimacies
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Announcing LitFest 2022

Amherst LitFest 2022 Logo stating: Illuminating Great Writing & Amhest's Literary Life

We hope you’ll join us virtually for the seventh annual LitFest, hosted in conjunction with Amherst College. This year’s lineup includes Pulitzer Prize winners Natalie Diaz and Viet Thanh Nguyen; 2021 National Book Award nominees Katie Kitamura and Elizabeth McCracken; and journalists Vann Newkirk and David Graham, among others.

This year, we are continuing to highlight the work of The Common’s own Literary Publishing Interns and Amherst Alumni Authors during a virtual reading at 4pm on Saturday, February 26. The Common is also hosting, in collaboration with Restless Books, a conversation with winners of the Restless Books Immigrant Writing Prize, Deepak Unnikrishnan, Grace Talusan, and Ani Gjika. Join us for this packed weekend!

Announcing LitFest 2022
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