Essays

Excerpt from The Salt Stones: Seasons of a Shepherd’s Life

By HELEN WHYBROW

Book cover of The Salt Stones by Helen Whybrow

 

This piece is excerpted from the memoir The Salt Stones: Seasons of a Shepherd’s Life by Helen Whybrow, a guest at Amherst College’s eleventh annual literary festival. Register and see the full list of for LitFest 2026 events here.

A bird is not born knowing how to fly. Not exactly. Leaping off a rafter and opening two perfectly constructed aerodynamic wings will get a fledgling only so far—usually to another rafter, or a spot on the ground, or sometimes to a confusing corner of a window where an invisible cobweb will wrap its sticky strands around a beating wing and mangle the delicate microzippered fibers ever so slightly so that the wing no longer beats at all.

Excerpt from The Salt Stones: Seasons of a Shepherd’s Life
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Excerpt from A Return To Self

By AATISH TASEER

Book cover for A Return to Self

This piece is excerpted from the memoir A Return To Self by Aatish Taseer, a guest at Amherst College’s eleventh annual literary festival. Register and see the full list of for LitFest 2026 events here.                                                                                              

At 9:05 a.m. on the tenth of November, 2020, a hush fell over the leaden turbulence of the Bosporus. All activity on the strait ceased. Coast Guard ships, ferries, and caïques, like the younger members of a tribe of large marine mammals, drew close in a circle. Behind them, a Turkish destroyer kept vigil, the blue of its gunmetal merging with the strait’s frigid waters. A red-bottomed freighter marked with the words iraqi line hulked in the background. That cityscape of sea-blackened buildings, broad panes glazed silver in the daytime darkness, was no ordinary Left Bank, no mere farther shore. The silhouette of low domes and pencil-thin minarets piercing a nimbus of pale sky above was the continent of Asia. The wonder of looking at it, with my feet still planted on the shores of Europe, was not lost on me. I had been in Istanbul for less than seventy-two hours. The air grew heavy with anticipation, and then, low and deep and melancholy as whale song, came the first moan of a ship’s horn.

Excerpt from A Return To Self
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The Reading Life: How to Teach Your Introductory Workshop in Fiction the Day After Trump’s Re-election

By KAREN SHEPARD

 

The Reading Life is a special 15th-anniversary essay series reflecting on close reading and re-reading, written by The Common’s Editorial Board.

 

Consider not teaching, cancelling class, staying at home in bed.

Force yourself to go to campus anyway.

Remind the twelve undergraduates gathered around the seminar table that after the 2016 election, the historian Timothy Snyder published a tiny book called On Tyranny about how democracies fail and authoritarian systems thrive.  Present your comments as a reminder.  Recognize the pettiness of your annoyance that they haven’t heard of this book.  Recognize that it may be misdirected.  Understand that fist grabbing your heart as anger. 

The Reading Life: How to Teach Your Introductory Workshop in Fiction the Day After Trump’s Re-election
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Future Remains: The Mysterious Allure of a Town in Ruins

By CUSH RODRÍGUEZ MOZ

“… [C]atastrophe is not something awaiting as in the future, something that can be avoided with well-thought-out strategy. Catastrophe in (not only) its most basic ontological sense is something that always-already happened, and we, the surviving humans, are what remains …. Our normality is by definition post-apocalyptic.” 

Slavoj Žižek  
Apocalyptica, “From Catastrophe to Apocalypse… and Back” 

Two trees next to graveyard

Turntables coated in rust and salt. 

Illuminated beneath halogen lamps and stacked on one another like the layers of a wedding cake, the vintage record players boast a thick icing of sodium chloride and iron oxide, the granularity of which almost perfectly emulates the breading of a recently fried chicken finger. 

Instead of occupying a warehouse shelf, a basement box, or a landfill, these outdated music makers ended up in a museum display case as witnesses to a singular event that some would define as catastrophic, others tragic, others fascinating. The museum, installed in a train station that hasn’t housed a locomotive for decades, commemorates the flooding and destruction of the town where it is located: Villa Epecuén. 

Future Remains: The Mysterious Allure of a Town in Ruins
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Body Stories: On Miscarriage and Cancer

By REBECCA WORBY

 

My mother and stepmother got breast cancer six months apart. I realize, since only one of them is my blood relative, it doesn’t mean, you know

Mid-summer, mid-pelvic exam, I am in the middle of this sentence when pain whooshes through me. I make a noise of surprise.

Body Stories: On Miscarriage and Cancer
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The Melnikov House

By MARTHA COOLEY

In 1927, a Russian architect named Konstantin Stepanovich Melnikov built an astonishing home in Moscow for himself and his wife, son, and daughter. Using affordable materials (building supplies were scarce), Melnikov and his son pitched in alongside several hired laborers to frame and erect the house. A photo taken at completion shows the owner—a slender man dressed in a suit, spats, and top hat—standing proudly in front of his home, with his wife (sporting a plaid coat and matching hat) at his side.

The Melnikov House
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The Reading Life: There is No “Purpose” (and Perhaps No “Progress”) in Nature: On Reading Oliver Sacks’ Letters

 

 

The Reading Life is a special 15th-anniversary essay series reflecting on close reading and re-reading, written by The Common’s Editorial Board.

 

“Always do what you are afraid to do.”
―Ralph Waldo Emerson

In a letter of February 20, 1997, to a humorist, Oliver Sacks says that one of his favorite words is APOCOPE. “I love its sound, its explosiveness (as do some of my Tourettic friends—for whom it becomes a 4-syllable verbal tic which can be impacted or imploded into a tenth of a second) and the fact that it compresses 4 vowels and 4 syllables into a mere seven letters.” This is the type of response I adore: succinct, passionate, informed, all around a single, transient word. The quote appears in Dr. Sacks’ Letters (Knopf, 2024, 726 pages), edited by his long-time assistant and researcher Kate Edgar. Notice the length of the volume: it is massive, even though, as Edgar mentions, it only comprises about a tenth of all of the letters Dr. Sacks wrote; he was an inveterate, compulsive logophile who wrote nonstop on napkins, pads, notebooks, and anything else within reach. (W. H. Auden, an early champion and long-time friend of Sacks, addressed him in print with the honorific “Dr.”; I gladly follow it here.)

The Reading Life: There is No “Purpose” (and Perhaps No “Progress”) in Nature: On Reading Oliver Sacks’ Letters
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The Reading Life: The Acrobat

By JIM SHEPARD 

 

The Reading Life is a special 15th-anniversary essay series reflecting on close reading and re-reading, written by The Common’s Editorial Board.

I always thought that one of the quieter sadnesses of my father’s life—and there were plenty of noisy ones, even given that everyone, myself included, acknowledged that he was a delight to be around—was his relationship to his own education and to reading itself. Shep—everyone including his kids and his wife called him Shep—only got as far as high school before World War II intervened, and then worked at Sikorsky Aircraft, a company that built helicopters, after returning home. He’d flown ground attack missions in Burma as a dorsal turret gunner in a B-25 and resupply missions as a cargo officer in a C-47 through the Himalayas to China, and the latter missions, referred to as going ‘over the hump’ in flyboy speak, were so lethal that the aircraft and crews suffered a twenty percent loss rate. When he got home, he needed to decompress, what I now realize was his version of PTSD. His account of the seven or eight postwar months in which he just lay around worrying his mother—the details of which always seemed to me to eerily echo Hemingway’s great short story “Soldier’s Home”—always included as a sad self-indictment, “I thought I might read, but I never had the concentration for it.”  

The Reading Life: The Acrobat
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