Issue 19 Fiction | Page 2

The Dam

April 27, 2020 Arabic Fiction, Fiction, Issue 19, Issue 19 Fiction, Translation

By JAMAL ALDIN ALI ALHAJ
Translated by JONATHAN WRIGHT

It was early in the night, and the village was shrouded in darkness. The uneasy calm heightened the darkness, and he could hear the throbbing of the water pumps all the more clearly as they drew up the Nile water in concert with the moon, which kept out of sight on the grounds that the weather was poor. In this gloomy weather, which presaged an imminent storm, Humayda was battling the laws of nature all on his own.

He shook the reins and raised his whip to bring it down on his donkey’s back whenever he felt it wasn’t pulling the cart hard enough. The poor donkey looked as if it was pondering how it could ever pull the damned cart and where it would have to pull it to. Being away from home so long, beyond its usual working hours, also made the donkey somewhat confused. It began to twist and turn on itself. Its back leg held its body firm, like a stake stuck in the ground, while the donkey raised one front leg, anticipating digging it into the path to move forward.

Weeds and Flowers

April 27, 2020 Fiction, Issue 19, Issue 19 Fiction, Podcasts & Audio

By BINA SHAH

Shazmina’s best friend, Gul Noor, died on a Monday, pinned down under the wheels of a speeding bus on the long road that stretched all the way down to the beach. Or maybe it happened on a Tuesday or a Saturday. Shazmina was never sure about the names for the days of the week. Monday-Thursday-Tuesday-Wednesday-Saturday melted, one into the other, like the trickles of oily water the buses left in their wake.

Operation Tamar

April 27, 2020 Fiction, Issue 19, Issue 19 Fiction

By OMER FRIEDLANDER

Jerusalem, 1967

Aba sent us around the neighborhood to cut down sabra, using a knife taped to the handle of a broomstick. We severed the fruit heads, rolled them a few times on the grass to get rid of their thorns, and dropped them into a bucket. Tamar sat on Eran’s shoulders, her small dancer’s body leaning forward to reach the cactus with the bucket. I handled the broomstick, severing the purplish-orange prickly pear from the body of the cactus. When we were done, Tamar took the fruit to her mom, so she could make it into jam. Once it was ready, we stored it in the bomb shelter, along with the rest of the emergency supplies. The shelter was in the basement of our building, and we shared it with three other families. Tamar arranged the supplies carefully, as if she were handling explosives. Jars of blueberry and raspberry jam, white bread, dark bread, apples, peaches, and tin cans stacked one on top of the other filled the corner of the room. She wore a turquoise skirt and matching top. Eran grabbed Tamar’s hips from behind, making her jump.

Notebooks of Maladies

April 27, 2020 Arabic Fiction, Issue 19, Issue 19 Fiction, Translation

By EMAD BLAKE

Translated by ELISABETH JAQUETTE

1—Idiot

The oldest boys in the neighborhood—“bullies,” as our Egyptian neighbors would say—chased that boy… chased me.

I’d long been obsessed with watching Egyptian TV shows and films, sneaking into the cinema to see them because in our house it was forbidden… “forbidden, boy, to go there.ˮ According to my mother, grandmother, and the other women in the neighborhood, screens are the devil’s handiwork: they corrupt good boys and girls. Of course, they’re poor women, without an ounce of luck.

The Infidel and the Devil

April 27, 2020 Arabic Fiction, Issue 19, Issue 19 Fiction, Translation

By MOHAMED BADAWI HIGAZI

Translated by ROBIN MOGER

Not many of us knew Sharif. He had been gone from the village for more than thirty years, and the few times his name came up, the person in question would glance around and lower their voice almost to a whisper. Men’s heads would cluster together in brief and hasty conference. And should his father, Sheikh Abdennabi Wadd Saleh, appear at the head of the alley and walk their way, or his mother, Hagga Amina Bint Suleiman, approach the store, they would fall silent or change the conversation.

Counsel

April 7, 2020 Fiction, Issue 19, Issue 19 Fiction

By DAVID MOLONEY

Excerpted from BARKER HOUSE, the new book by David Moloney, out now from Bloomsbury.

I work alone on the Restricted Unit in the Barker County Correctional Facility in New Hampshire. It’s a semicircular room, the curved wall lined with nine cells. Most of the day, the inmates press their faces to scuffed windows, silent. There are no bars. The architects went with rosewood steel doors. Rosewood: the color of merlot.

On Tuesday and Saturday mornings I supervise inmates while they shave in their cells. We don’t leave them alone with razors. I try to talk with them, like we’re just in a locker room, hanging out while one of us shaves. Some don’t talk. I imagine that, cutting their whiskers before a scratched plastic mirror, they think of the other mirrors they’ve shaved in front of, the rooms those mirrors were in, and maybe that keeps them silent.

Tuesday. Inmate Bigsby is shaving. He’s talkative. Not crazy crazy, but it’s always tough to tell.

“This scar, right here,” says Bigsby as a stroke down his cheek reveals a cambered wound, “was when I broke from the sheriffs.” The single blade on Bigsby’s flimsy disposable couldn’t shave a teenage girl’s happy trail, but the inmates make do and pull at their skin.

There is a common perception—you see it in movies—that inmates don’t want to talk about their crimes. But they do. They depend on their past, their scars, to prove they were something else. In what standing, that doesn’t matter.