Pastoral Resistance

By ROB SPILLMAN

Dogs in Meadow
Deer in Grass


Catskill, New York

A fair friend resists the pastoral,
insisting glacier collapse fire tornado sixth
extinction privilege the privilege of writing
about a peaceful wood walk. Walking in the
woods, I resist as well, as well. A sudden freeze
after the first hopeful warmth has silenced
the peepers. The resident red-shouldered hawks
have ripped apart another guinea fowl, its speckled
black and white feathers in a neat circle
in the bare winter wheat field, no trace
of blood or body. The dog is bored by feathers,
dashes after gleaning robins and burrowing
field mice, far from the Russian bus shelter
where she was found, far from her Brooklyn
youth. We’ve fled together, to the pastoral, to
walk the woods and fields, to plant blight-
resistant American Chestnuts and Catskill-
native flowers and ferns. If we burn or
are swept away, we will do so with muddy
paws, witnessing until the last pastoral page. 

 

 

Rob Spillman co-founded and edited Tin House Magazine from 1999 to 2019 and is the author of the memoir All Tomorrow’s Parties from Grove Press.

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Pastoral Resistance

Related Posts

Two Poems: Dispatches from Konstanz and Maastricht

ANA PRUNDARU
in a museum's throat now, here it is / here is a lesson in grieving the past / disappeared by just a flip phone / say it was converted to a tiny pub // here is a lesson in grieving the past / a tiny fit of existentialism / say it was converted to a tiny pub / it was the nineties, remember?

An Exercise in Loneliness

AIDAN CAHILL
It would seem the Earth is always in flux, whether it be the monthly succumbings of the cabbage white butterflies or the water with its winter sleep, yet for the longest time I had challenged this. In the wake of blurring seasons and rotations of the sun, I had come back here, ages 15, 16, 17, now 19, always to the same place

The Kestrel

ERNESTO PÉREZ ZUÑIGA
I often see it hovering against the wind. Motionless in an impossible point in space until the kestrel insists on tracing its outline. Its own will against the void. A will that dances in a barely perceptible vibration. This is the vertigo of stillness. While its gaze sweeps the ground in search of mice or lizards.