Persephone

By VICTORIA REDEL

 

Happiness has just walked into the room and I don’t know how he looks to you
but to me he’s wearing the t-shirt you wore outside pruning the fruit tree. 


 

When I come close—how can I not?—he smells of dirt you’ve been turning in
the yard.

 

How do I know he’s not an imposter? Echo happiness? Or that those pretty lips
have any interest in sticking around? What was it our favorite Greek,
Epictetus, said?

 

“If you desire a fig, I answer you that there must be time.”

 

Sometimes, after winter, after the burlap is unwrapped, the limbs really
look dead.
What are we going to do knowing not everything makes it?

 

Or some years, too much, a littered mess of squishy fruit.

 

I don’t know if you catch Happiness whistling the Rhythm Revue hit
I’m hearing or if those low sugar notes seem too easy

 

and make you want to take off or dig quiet beds in the garden till dark.

 

It’s an old joke by now, isn’t it. What’s to be scared of? Everything.
Call me a two-time loser. I’ll still shimmy. Call me gullible when the Good Day

 

tucks us in. If by morning there’s a late frost, I’ll shiver then.

 

I like standing at night next to you brushing my teeth.
There, in the mirror, you, perfectly backwards.

 

 

Victoria Redel is the author of Woman Without Umbrella, her third collection of poetry.

Click here to purchase Issue 03

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Persephone

Related Posts

Feltspade

ELIAS SADAQ
I serve out my conscription / sleep in a bunk bed / for four cold months / in the engineer regiment at Skive Garrison / in a room with three other men / I fuck the colonel / the only sign that time is passing / is a pile of snow outside the window / that grows smaller

Book cover of Fifty Mothers

Mother is a Kind of Holding: Jenny Qi interviews Preeti Vangani

PREETI VANGANI
With vignettes, I could plumb its narrative arc to become a force propelling the book forward. It also felt haunting yet warm that the mothers kept reappearing throughout the life of this grief. That repetition created a chorus of voices that angers and despairs, yet cradles the speaker.

May 2026 Poetry Feature: Arielle Hebert, from Bottom Feeders

ARIELLE HEBERT
Home again at the water’s edge, / palms dancing in salt breeze. / I take a too-deep breath / and the air prickles my lungs / like an unfiltered cigarette. / Only the tourists are swimming, / coughing through the algal bloom, / eyes bloodshot and skin burning.