All posts tagged: Dispatches

I/Teh Ran

By SARVIN PARVIZ

woman holding a sheet in front of the mountains

Photo courtesy of the author.

Tehran, Diaspora

I moved to the U.S. for a creative writing program with a luggage full of must-haves and gifts, to survive the at-once costs with one paycheck, memorabilia from each friend and close relatives to hold, on days of unbelonging and loss, to feel the connection to the ground back to a place. The largest collection of belongings is in my phone. More than twenty thousand photos of food on the table (always more than one plate), streets of Tehran at night through the car window, wet and bright after rain, harmonious, unlike the dust and chaos of the day. My daisy covered shoes on the curb, friends singing, tapping on the table, hugging, running all the way to the top of a hill. When I moved, the photos became similar, screen shots of Facetime or Zoom calls, us in squares next to each other, our joy breaking out of the frame, heart emojis flying, everyone laughing.

I/Teh Ran
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Cape May, midsummer

By EVELYN MAGUIRE

A horseshoe crab

Photo by Hannah Stone

Cape May, NJ

Some things we understand before we’ve ever touched them. I swallowed a poppyseed and saw you in my dreams. Summer sweltered. Sweat marked round my ribs, beating with two hearts. Boiled eggs, sharp chives, mayo, cayenne, dill, salt. Summer of salt: we retreat to the seaside of my childhood, rocky and full of my mother’s egg salad.

Cape May, midsummer
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The Ground That Walks

By ALAA ALQAISI

Image of tents by the sea
 

Gaza, Palestine

We stepped out with our eyes uncovered.
Gaza kept looking through them—
green tanks asleep on roofs, a stubborn gull,
water heavy with scales at dawn.

Nothing in us chose the hinges to slacken.
The latch turned without our hands.
Papers practiced the border’s breath.
On the bus, the glass held us—
a pond that would not name who stays.

The Ground That Walks
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Tethered Hearts

By LARA ATALLAH

 

From Buenos Aires, Argentina

For Eduardo Rios Pulgar,

San Telmo rings through me, like an unlived memory from a distant past. All colors, linden trees, worn down buildings, from the last century and the one before it, next to towering cement. The Argentinian Peso crumbles like the Lebanese Lira. We collect its ruins at the casa de cambio, our American dollars grotesque in the face of this country’s protracted collapse. The city is angry with love. Its sidewalks echo Beirut, and a life there, long-forgotten, languishing in the rearview mirror. Everywhere I look, an almost-déjà-vu skims the walls of my mind. Buenos Aires is Beirut, is Paris, is an aubade to the lost and never found. Down by Recoleta, Haussmann buildings dot the avenues. Dregs of a time where French architects flooded the city and left their prints along its urban landscape.

Tethered Hearts
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On the Shores of Baileys Harbor

By BEN TAMBURRI

Shore of Baileys Harbor

Photo courtesy of author

Baileys Harbor, WI

Baileys Harbor has always felt like a place that is eternally old, eternally in the past. It is a destination for quiet summers on the Wisconsin peninsula, where the insignia of range lights and lighthouses decorate the bathroom of every home, and Dala horses wreath the doors. It was the place of my youth, even if it was only for a week each year. As a kid, when my family visited, I felt at home among the retired condo-dwellers. 

On the Shores of Baileys Harbor
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The Garden of the Gods

By ELI RODRIGUEZ FIELDER 

Two children kneel on a large rock surface. Large grey boulders and a forest of trees are visible in the distance.

Photo courtesy of author

Herod, Illinois

There are two Gardens of the Gods, but the one in Southern Illinois fit our budget. On the drive down from Iowa City, we listen to podcasts about Norse and Greek mythology to fill the twins’ heads with ideas of magic, with the hope that they might complain less about the hiking. From their car seats, they point out farms with broken corn stalks and a Burger King, making the argument that we must still be in Iowa. Even though we’ve traveled six hours, their six-year-old brains haven’t yet connected time and distance. But I’ve been in the Midwest long enough to know the difference between the farms around a college town and farms around a farming town. And if I wasn’t wisened to it, the signage would teach me soon enough. Traveling through rest stops and restaurants puts us on edge. We make the outline of an average family with a couple of feral kids, if people don’t linger too long in their gaze.

The Garden of the Gods
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Four Ways of Setting the Table

By CLARA CHIU

Photo of a long wooden table with chairs. Plants in the background

Photo courtesy of author.

Amherst, Massachusetts

I. Tablecloth Winter

We are holding the edges of the fabric,
throwing the center into the air.
& even in dusk this cloth
billowing over our heads 
makes a souvenir of home:
mother & child in snowglobe.
Yet we are warm here, beneath
this dome, & what light slips through
drapes the dining room white.

Four Ways of Setting the Table
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Sisterland

By NANDINI BHATTACHARYA

Two Sisters reading in a wheelbarrow

Photo courtesy of author

Ithaca, NY

I want to start by saying that this is not about when I was in a New York city cab and the cabbie and I struck up a concrete jungle duet about where we were from—Gaza, Sudan, Rwanda, Nigeria, Dominican Republic, Pakistan, Ukraine, India…—and what winds, fair or foul, had blown us to the country that’s being made great again by a certain real estate developer. I want to start by saying that in what I have to say there is no New York City or cabbie. That’s not the kind of story this is. Rather, in this story there is a sister—or sisters—and a land—or lands.

I want to start by saying that I propose, simply, a new topos for going “back home,” for the return to Ithaca. I call this topos Sisterland.

Sisterland
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Dispatch: Two Poems

By SHANLEY POOLE

a broken down, rusty car  faces out toward a lightly forested, sunny, and hilly landscape.

Photo courtesy of author.

Hot Springs, North Carolina

A Mathematical Formula for Continuing

I’m asking for a new geography,
something beyond the spiritual.

Tell me again, about that first
drive up Appalachian slopes

how you knew on sight these hills
could be home. I want

Dispatch: Two Poems
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