In the not-so-early morning, the beach enjoyed a calm troubled only by the swishing of the waves and the murmur of the sea against a rocky spit that extended into the water. At the foot of the white bakery, the waves broke in a monotonous sequence. The Nile Valley café, next to the bakery, shared in the morning calm—Abdul Farraj was snoozing lazily, and the waiter was having a temporary rest from his labors. Everything was calm. The sun crept slowly up the sky and poured light onto the surface of the sea and the roofs of the wooden houses, while a kite squawked on the minaret of the Askala mosque. On the western side of the horizon, the mountains lay in their blue calm, and between the sea and the mountains lay the city.
Originally published in French in the collection En enfer, mon amour, Editions de l’Aire, 1990.
Story appears in both French and English.
I first encountered the work of Marie-Claire Dewarrat when I read her novel Carême, the story of a grieving father which the author wrote following the death of her own daughter. I was entranced by the book’s sweet strangeness and the way it wove dark, violent realities into the slow rhythms of grief and healing. In the short story collection from which “Rising Sap” is drawn, that darkness often takes a fantastical, surreal turn. Dewarrat’s fiction is deeply tied to season and landscape, more specifically to the countryside of French-speaking Switzerland where much of her work is set. Her wise, often teasing narratorial voice playfully and skillfully blends poetic language with informal, local turns of phrase, vividly conjuring that particular place.