We stood among the wreckage of the barangay captain’s house and his furniture shop and his crumbled internet café, where three months ago you could put a ten peso coin in and for a few minutes connect from this little island to the world out there, beyond Cancobato Bay, the San Juanico Strait and Tacloban. CPU shells lay stacked up like carcasses against one of the few walls still standing, ghosts in the machines, severed cables and keyboard drawers jutting out like compound fractures. The barangay captain has not had time to rebuild. He has a job to do; he is the barangay captain.
By KEANE SHUM
There used to be an actual line. That we had to actually wait in. We used to line up from the elevator bank in the Harbour View Hotel across the bridge and over to the Great Eagle Centre, or double-backed towards Central Plaza, and we used to wait.We waited in the balmy near-summer heat if it was the prom after-party, or in the wincing wet cold when we were back from college for the holidays. We waited, we paid cover, we had tickets. We were young.
I got caught in a deluge the other night, and when it hit me, it hit me just like that, italicized, like the rain was coming down so hard even the words to describe it were soaked and falling to the ground. I was in the back streets of Sheung Wan, an old part of town on the outskirts of Central that rests against the side of a hill. Steep stone staircases run up and down and through the area, and on a sunny Sunday morning you can play snakes and ladders with the past, sliding down to a street of antique stores that sell Bruce Lee posters from the 60s and twin-lens reflex cameras from the 30s, or climbing up to peek inside the few Edwardian mansions that remain, the once proud homes not of colonial officials, but of the Chinese compradors who even then—or maybe especially then—had a thing about putting the white man in his place.