The Hotel Belvedere

By MARY JO SALTER

 

A June day under the Jungfrau.

Near the railway that brought her here,

an old woman sits on a bench.

She isn’t facing the Jungfrau

but the Hotel Belvedere 

 

which has, as its name implies,

a beautiful view of the Jungfrau,

a name for what she had been

when she last saw it, maybe,

on her honeymoon.

 

She regards the hotel intently,

studies what I assume

were the windows of their room.

Was it hard to come back alone,

hobbling on that cane?

 

No, not alone: her husband

and daughter (or granddaughter—

surely this couple’s offspring

can’t be very young)

have arrived with ice cream cones,

 

inverted mountains where snow

is piled on the widest end.

They make the most of that pleasure

before, like a magic trick,

a tripod’s pulled from a backpack.

 

Steady as you go

is what the granddaughter says

as she pulls the old woman up

and the three of them, like a tripod,

lean to make one shape

 

that peaks on top, like the Jungfrau.

But the hotel’s the backdrop.

The camera’s timed to snap

at a smile, and another smile;

new pose, and it snaps again.

 

Even the staring stranger

who has no need to invent

their story is distracted

from the majesty of the Jungfrau,

and heeding gestures meant

 

to yield up little grandeur:

the acts of a granddaughter

who, when she’s old, will tell

of the long journey they took

back to the hotel,

 

the origin of what mattered

to a few vanished people.

There was ice cream; and a view

of the snowcapped Jungfrau,

which is nowhere pictured.

 

[Purchase Issue 13 here]

Mary Jo Salter‘s eighth book of poems, The Surveyors, will be published by Knopf in 2017. She is Krieger-Eisenhower Professor in The Writing Seminars at Johns Hopkins University, and lives in Baltimore.

Julia PikeThe Hotel Belvedere

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Friday Reads: June 2017

We love any excuse to hear from our contributors! This month, our Issue 13 authors and poets tap into their literary communities as they recommend works by colleagues, friends, and Pulitzer Prize winners. United in their affection, the authors are nonetheless divided by their selections, as their choices shed light upon nowhereness, colonization, and Florida oranges.

Good Boys

MEGAN FERNANDES
Once in a car, a good boy / shook me hard. If you like it / that way in bed, then why are you… / the tiny bruises on my arms / where his prints pressed into my pink/ sleeves rose to the surface like rattles. / Like requests. They thrived there / for a week until they settled /

What’s Goin’ On?

JONATHAN MOODY
On Marvin Gaye’s birthday, the D.J. / introduces “Sexual Healing” as the sole song / responsible for why some of his listeners exist. / If he & his wife were having trouble conceiving, / he would’ve skipped over the cliché / the way he skipped over the details / of Marvin’s tragic death