Anticipating, Zebra Finches

By JOHN KINSELLA

 

Birds on tree branch

 

Avon Valley, Western Australia

Just below, a roo doe digs into the softest
soil it can find — avoiding rocks — to make
a hollow for itself and the joey heavy in its pouch;
it lifts, digs, turns drops lifts digs turns drops.

Up the valley, a pair of zebra finches have skittered
into residence, for we don’t know how long, at the base
of the wheatbelt mountain — or large hill — Walwalinj;
almost certainly displaced by recent fire, that semi-local migration.

I can place myself in both zones without much effort,
but it’s a dubious skill with undefined political complications —
this seeing that’s messed with my setting, this tendency
to align with what I can only know within limits, and conversely.

 

John Kinsella’s most recent volumes of poetry include Drowning in Wheat: Selected Poems 1980-2015 (Picador, 2016) and Insomnia (WW Norton, late 2020). His new memoir is Displaced: a rural life (Transit Lounge, Australia, 2020) and new volume of stories Pushing Back (Transit Lounge, Australia, 2021). He is a Fellow of Churchill College, Cambridge University, and Emeritus Professor at Curtin University. He wishes to acknowledge the Ballardong Noongar people, the traditional and custodial owners of the land he so often writes about.

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Anticipating, Zebra Finches

Related Posts

Map

By MARIN SORESCU trans. DANIEL CARDEN NEMO
If I see the ocean / I think that’s where / my soul should be, / otherwise the sheet of its marble / would make no waves.

A sculpture bunny leaning against a book

Three Poems by Mary Angelino

MARY ANGELINO
The woman comes back each week / to look at me, to look / at regret—that motor stuck in the living / room wall, ropes tied / to each object, spooling everything in. She / comes back to watch / what leaving does. Today, her portrait / splinters—last month, it was only / askew

Aleksandar Hemon and Stefan Bindley-Taylor's headshot

January Poetry Feature #2: Words and Music(ians)

STEFAN BINDLEY-TAYLOR
I am sure I will never get a name for the thing, the memory of which still sits at a peculiar tilt in my chest, in a way that feels different than when I think of my birthday, or my father coming home. It is the feeling that reminds you that there is unconditional love in the world, and it is all yours if you want.