In mid-May 1999, alone on my last morning in the Annapurna Sanctuary, I tramped along the moraine below Annapurna Base Camp. The sun reflected off Machapuchare, the distinctive fish tail peak, at the bottom of the valley. Tharpu Chuli flanked me on the left, its 6000 meter crown glistening with fresh snow. No clouds covered Annapurna’s summits behind me or obscured the immense sky. The trail meandered from 13,500 feet to 12,000 feet. The low-oxygen air, like a drug, rendered the sapphire sky in vivid contrast to the silver cliffs, the white snow, and the wild crocuses that burst from south-facing patches in happy pink dots.
When I’m back in the city and on the subway, I tend to look at my book or at my feet and the feet of other people. I note the different kinds of shoes, their colors and states of wear.
Today is December 23, so there are shopping bags by all the shoes, held fast between lower legs and sometimes kicked out of the way of people coming and going. Bags filled with brown boxes and shoe boxes and stacks of folded clothes.
I’m sitting down, and a man stands above me with his back to me. Under his left arm is a cardboard box that says 6H on the side in thick permanent marker. He never turns around, and I never see him, but I know that he lives in 6H.
When I heard ancient Iranians worshipped Mithra in subterranean caverns, my first reaction was: why would anyone worship Mithra in total darkness? Mithra, the god of heavenly light, who goes over the earth, all her breadth over, after the setting of the sun, touches both ends of this wide, round earth, whose ends lie afar, and surveys everything that is between the earth and the heavens. In Mithraic belief, the God Mithra slays a bull to move the world and enlighten it with love. Followers pray and purify their souls in order to ascend to their heavenly place of origin.
A black ant walks across the kitchen counter and I try to flick it away. It dodges my finger, but it’s miscalculated how close it is to the edge and falls off the cliff of the counter and into the dog bowl. It struggles to swim. The ant is dying the way I always die in my worst dreams. In nightmares I sink to the bottom of the lake near my childhood home.
The Little River isn’t very little or rather
I don’t know what it is little in relationship to.
By the bank the water is smooth as paper
but in the middle my sneakered feet are unsteady
pulled by the current.
Today in the taxi I brought the famous jazz drummer’s wife, Elena, all around Harlem doing errands. Cobb is the last surviving member of the band that recorded Kind of Blue. We went to the bank and to the pharmacy. She let loose with some stories. It was as if his music was not alone waking up from its dream.