Interviews

Everything Has to Work: Michael Costaris interviews Sigrid Nunez

Sigrid Nunez (left) and Michael Costaris (right). Photos courtesy of the authors.

In this interview, SIGRID NUNEZ and MICHAEL COSTARIS unearth the decades of writing behind Nunez’s first story collection, It Will Come Back to You. They spoke for over two hours on Zoom, Nunez in her New York apartment and Costaris from his Toronto home. Nunez is an acclaimed novelist turning to short fiction for the first time in her illustrious career, while Costaris is a short story writer who recently completed his first novel. Together, they discuss the demands of each form, the challenges facing short fiction in a changing marketplace, and The New Yorker’s enduring pull. Through craft, Nunez interrogates the instinctive nature of writing and the function of humor in both life and literature.

Everything Has to Work: Michael Costaris interviews Sigrid Nunez
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Gentle or Not: Victoria Kornick Interviews Laura Cresté

Headshots of Laura Crete and Victoria Kornick

Laura Cresté (left) and Victoria Kornick (right)

LAURA CRESTÉ and VICTORIA KORNICK met a decade ago in NYU’s Creative Writing MFA, where they connected over writing long poems. They’ve been friends and readers of each other’s work ever since, including the manuscripts of what would become their first books. They exchanged questions over email about Laura’s debut collection, In the Good Years, and discussed how place, nonhuman animals, time, family history, and the unknown shaped the book.

 

Gentle or Not: Victoria Kornick Interviews Laura Cresté
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Fluent in Disappearing: Kanchi Sharma Interviews Yu-Mei Balasingamchow

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Kanchi Sharma (left) and Yu-Mei Balasingamchow (right)

KANCHI SHARMA and YU-MEI BALASINGAMCHOW first connected despite the limits of time zones – Kanchi in Mumbai, Yu-Mei in Boston. Years after seeing each other in pixels, they met in person at AWP. Bringing it full-circle, they met over Zoom to discuss Yu-Mei’s debut novel, Names Have Been Changed, its masterful portrayal of modern exiles, diaspora, concealment, and the quiet violences of bureaucracy and border.  

Fluent in Disappearing: Kanchi Sharma Interviews Yu-Mei Balasingamchow
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Other Pastorals: Sarah Audsley interviews Eve Alexandra

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Eve Alexandra (left) and Sarah Audsley (right)

SARAH AUDSLEY and EVE ALEXANDRA, both poets based in Vermont, share a complicated connection to the landscape and the place they call home. Each leverages the pastoral; however, both poets upend the pastoral’s tradition to explore identity, gender, familial relationships, grief, and their connection (or dislocation) to place. None of Us in White, recipient of the Two Sylvias Press Wilder Prize and published in 2025, is Eve Alexandra’s second poetry collection. Carl Phillips’ quotation, “Brokenness you do surprise me,” is the epigraph with which Alexandra introduces and envisions her collection as it investigates grief and reaches towards elegy with an unsettled sense of belonging.

Other Pastorals: Sarah Audsley interviews Eve Alexandra
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Amphibious Living: January O’Neil interviews Joseph O. Legaspi

 
January O Neil and Joseph O Legaspi

January O’Neil (left) and Joseph O. Legaspi (right)

 

In the mid-90s, JOSEPH O. LEGASPI and JANUARY O’NEIL met hovering over a cheese plate at the graduate school orientation of NYU’s creative writing program. They have been friends and champions for each other ever since. On the recent release of Joseph’s third full-length collection, Amphibian, the two formally met on Zoom to discuss the book, persistence, survival, legacy, and the long arc of their friendship.

Amphibious Living: January O’Neil interviews Joseph O. Legaspi
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Mother is a Kind of Holding: Jenny Qi interviews Preeti Vangani

PREETI VANGANI and JENNY QI first met as inaugural Rooted and Written Fellows at the San Francisco Writers Grotto in 2019, the same year that Preeti published her debut poetry collection, Mother Tongue Apologize. Their shared experience of writing through grief after mother-loss as young women bonded them, and they became close friends. Both were subsequently awarded a Brown Handler Residency and a McCormack Writing Center Fellowship (formerly Tin House). 

Mother is a Kind of Holding: Jenny Qi interviews Preeti Vangani
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Conjuring Home: Talia Lakshmi Kolluri interviews Samina Najmi

Talia Lakshmi Kolluri (left) and Samina Najmi (right)

Talia Lakshmi Kolluri (left) and Samina Najmi (right)

SAMINA NAJMI and TALIA LAKSHMI KOLLURI first met in 2022 after Najmi read Kolluri’s short story collection What We Fed to the Manticore and conducted her own interview for The Normal School. In that conversation, they found that not only are they practically neighbors, but they share a tremendous amount of common ground. Thus, a friendship was born. This conversation unfolded over email during Najmi’s book tour for her electric memoir-in-essays, Sing Me a Circle: Love, Loss, and a Home in Time, which spans her childhood in Pakistan and England, her first foray into the US in Boston, her family and professorial life, and Fresno, the place she now calls home. In this conversation, Kolluri and Najmi explore memory, return, the meaning of home, and the way we tell our stories.

Conjuring Home: Talia Lakshmi Kolluri interviews Samina Najmi
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Searching for Meaning: Chukwuebuka Ibeh interviews David Emeka

DAVID EMEKA and CHUKWUEBUKA IBEH first connected in 2020, after Emeka read Ibeh’s Gerald Kraak-shortlisted story, The Ache of Longing. Emeka had raved about it to a mutual friend, who encouraged him to send Ibeh a DM. He did, and they continued messaging on Twitter about shared goals and interests. Later, Emeka was accepted into the Washington University MFA program in St. Louis, where Chukwuebuka was enrolled. Ibeh didn’t know then, but Emeka applied to the program with a story Ibeh had provided feedback on. They’ve continued to share work since, and enjoyed many adventures as well.

For this interview, Emeka and Ibeh spoke over two days when Ibeh visited St. Louis for Christmas. Their initial conversation unfolded in Ibeh’s wonderfully warm apartment, and they continued connecting over email after Ibeh’s return to Lewisburg, PA, where he currently teaches. 

David Emeka (left) and Chukwuebuka Ibeh (right)

David Emeka (left) and Chukwuebuka Ibeh (right)

Chukwuebuka Ibeh (CI): Congratulations on your Outpost residency! How did you feel coming out of it? What was your routine like?

David Emeka (DE): Thank you so much, Ebuka. Vermont was wonderful, and the Outpost residency even more so. I keep thinking about the meals, the warmth I felt from everyone there. The grounds—the trees, the cornfields, the mountains in the distance—were spectacular. I do some of my best thinking when walking, so I’d swaddle myself in a blanket and pace among the trees, just meditating. And then there was this hammock—that was my favorite spot. When my ideas had collected to supersaturation, I’d go into the hammock and cover myself with the blanket and write. I’m a morning person, but I love to write in the dark. Every day I woke up at dawn to write, had breakfast, paced and wrote and read, jogged around the neighborhood, then returned for dinner. Sometimes we cooked for each other—I would make sourdough bread, or D’mani Thomas, the other fellow, would make tacos. We took walks under the stunning sunsets. It was a splendid time.

CI: It truly sounds beautiful. How did this process translate when you returned home?

Searching for Meaning: Chukwuebuka Ibeh interviews David Emeka
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Writing the Rust Belt: Rosanna Young Oh Interviews Allison Pitinii Davis

Allison Pitinii Davis (left) and Rosanna Young Oh (right)

Allison Pitinii Davis (left) and Rosanna Young Oh (right)

ALLISON PITINII DAVIS and ROSANNA YOUNG OH explore how Davis’ personal connection to Youngstown, Ohio and scholarly interest in labor inspired her debut novella, Business. They discuss representing the Rust Belt in literature, their identities as eldest daughters who worked for their family businesses, and the dignity and ethos of the working-class communities that raised them. Allison Pitinii Davis is the author of the poetry collection Line Study of a Motel Clerk , Poppy Seeds, and Business, a novella in Agency 3: Novellas . She serves as a Visiting Assistant Professor of Poetry at Ohio State University.​​

Writing the Rust Belt: Rosanna Young Oh Interviews Allison Pitinii Davis
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