Family of Strangers

By JANE SATTERFIELD

 

for Deborah Tall (1951—2006)
Baltimore, 2006


 

Not cool for September so we walked
slowly, slowly to cross the still-green campus
gold-struck in morning’s light.
That’s the kind of phrase I’d have used,
years ago, an undergrad arriving in town
the same year that you’d left. That morning, though,
no matter how it looked, the light
seemed less bright to me, still reeling
from an early call. You’d stayed up
half the night, couldn’t swallow; couldn’t
sleep. Paged, your doctor put in a quick prescription.
We’d pick it up and make it back in time
for class—classes really, that had been
blended to create more “student contact.”
They filed in, settled; then you spoke, offered
a reservation with the grace that
few give to apology: you hadn’t written much on the city—
(that year, our college’s Symposium theme)—
but believed in the importance of place,
of knowing and living with the past,
even when it’s invisible
. . . the coffee
and pastry order I’d placed weeks before
hadn’t been filled. But you—not long from
a second round of chemo for a rare, aggressive
cancer, family fate, head silk-wrapped—
almost engulfed by the executive
room’s power desk and chair,
commanded our suburbanites’ attention
as you described the essay as a “slice of mind,”
face lit by standard-issue florescent track lights
that flickered on and off. You took questions,
same ones I’m sure you’d heard before,
pleased, and answered kindly
even though you knew then you didn’t
have the time. No lunch—you couldn’t eat. A long
day required rest. Later you’d read.
For backdrop, the room’s wall
of expansive windows revealed some
greatly contested soccer game below. Every
once in a while we’d catch crowd cheer,
the blast of a horn. It didn’t matter:
in that hour the silence of Levittown,
the home of your Pennsylvania childhood,
came alive with questions whose answers
it took a life’s time to find. My notes,
that day were sketchy: Witness
to—restorer of—a family’s complicated history,
the problem of new suburbs,
feeling lost and placeless
. . . Deborah,
something struck a nerve. You’d never know
the lives of those you’d touched:
the bio major whose blue collar roots
were sketched out warmly with great care;
the ROTC girl whose memoir took
first prize for Humanities Research.
That late September night, there would be
no faculty dinner, just a few of us
gathering in The Spice Company’s
cocktail lounge. Conversation carried on:
you laughed along, sipped hot water
from a cooling cup. A colleagues’
bumbled “Please, come back and
visit soon” broke our party up.

 

 

Jane Satterfield is the author of Daughters of Empire: A Memoir of a Year in Britain and Beyond.

Click here to purchase Issue 03

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Family of Strangers

Related Posts

Image of a tomato seedling

Talks with the Besieged: Documentary Poetry from Occupied Ukraine  

ALEX AVERBUCH
Russians are already in Starobilsk / what nonsense / Dmytrovka and Zhukivka – who is there? / half a hundred bears went past in the / direction of Oleksiivka / write more clearly / what’s the situation in Novoaidar? / the bridge by café Natalie got blown up / according to unconfirmed reports

A Tour of America

MORIEL ROTHMAN-ZECHER
This afternoon I am well, thank you. / Walking down Main Street in Danville, KY. / The heavy wind so sensuous. / Last night I fell- / ated four different men back in / Philadelphia season lush and slippery / with time and leaves. / Keep your eyes to yourself, yid. / As a kid, I pledged only to engage / in onanism on special holidays.

cover for "True Mistakes" by Lena Moses-Schmitt

Giving the Poem a Body: Megan Pinto interviews Lena Moses-Schmitt

LENA MOSES-SCHMITT
I think sometimes movement can be used to show how thought is made manifest outside the body. And also just more generally: when you leave the house, when you are walking, your thoughts change because your environment changes, and your body is changing. Moving is a way of your consciousness interacting with the world.