Love Song (1)

By MARCUS MYERS

If our bodies are vessels, hers sailed away.
I am sunken eleven months deep, away from her
hazel eyes like aulos pipers for my oarsmen,
           away from her
sun-warmed sides and bronze-sheathed prow.
Before she sank me, we rowed a while together
and she seemed to like the wake we made.
She said I was always too heavy, though.
She said, Where’s the levity?
She said when we talked, we dove too deep,
           too fast,
into the abyssal zone
where things get weird.
The bottom of what I feel for her: a fleet ship
weighted centuries-deep
with the wine- and honey-laden amphora
           we once carried together.
The weight of what I feel for her, the cedar-
pitch timber of it, will never surface
           to lift the bright air
pushing against our sails again.

 

Marcus Myers lives in Kansas City, where he teaches and serves as co-founding editor of Bear Review. His poems have appeared in or are forthcoming from The Cortland ReviewThe Florida ReviewHunger MountainLaurel ReviewMid-American ReviewThe National Poetry ReviewRHINOSalt HillTar River Poetry, and elsewhere.

 

[Purchase Issue 19 here.]

Love Song (1)

Related Posts

Image of an orange cupped in a hand

May 2023 Poetry Feature: New Poems by Our Contributors

TIMOTHY DONNELLY
Thorn-blossom! Tender thing, prone to solitude / like yours truly, don’t get it twisted if I reach out my hand— / it isn’t to pluck you, who are my beacon down this path, but a gesture / of acknowledgment common among my kind. / When the lukewarm breezes nod off

Red Lanterns in Night Sky

On Wariness

MYRONN HARDY
There is rhythm on the pavement. / There is rhythm in small / apartment rooms. / I’m over slicing tomatoes. / I’m over drinking wine. / I’m performing as not to be / deformed     as not / to show what I shouldn’t. / I don’t want to feel everything.

Image of two blank canvases on a white wall

Nina and Frida Enter the Chat

FELICE BELLE
these biddies with their deadbolt backs/ take naps / while i construct/ canvas from corset cast / art does not wait until you are well / what they did not understand—the training was classical / chopin, motherfuckers/ carry on like she some backwater bluesy / least common denominator