Single-headed.
Flowering inwardly.
Barely felt in the birth canal.
Medical marketer.
Sick with planet.
By ZACK STRAIT
This is the body, broken for you, the minister says, placing
a small moon on my tongue. I pull it into my mouth
By JOHN FREEMAN
Backlit by the glow
from a small passageway,
he kneels into the fog
of yellow light,
head kissing the carpet.
I step around him,
respecting his privacy, when
the mat becomes not prayer
rug but builder’s tool,
a black piece of tarmac, laid down
before the bank so he could
peer close, fix the dead
motion sensor so that people
with money could
be seen, all doors opening
for them.
Blue, the infinite within a boundary hue.
Edo artists relished its blood-drain
of sea dawns. Westerners learned to brew
from the Virgin’s mantle the brim celestial stain.
By MARCUS MYERS
If our bodies are vessels, hers sailed away.
I am sunken eleven months deep, away from her
hazel eyes like aulos pipers for my oarsmen,
away from her
CLARICE
All his victims are women…
His obsession is women, he lives to hunt women.
But not one woman is hunting him—except me.
I can walk into a woman’s room
and know three times as much about her as a man would.
A starling catches me in a dress
and pierces my chest two times,
deeply, and I cannot blame her.
and then I remember the faint aching hiss of nitrous leaking from the tip of the siphon into the open mouth of me
a hit off the pressurized cream of me
in the darkened storage room round back of the restaurant of me
at twenty-one, the different sounds that rustled in me
freezer hum and thudding voices, conversation concentrate inside of me
who I used to be, was then and then and then: still me
I have read the report—inconclusive.
Yet, I know how much your brain weighs,
your liver, your heart. Your ordinary,
damaged heart. I know it by the gram.
It is so late
it is early, and there, once again,
is that thrilling and disturbing bird
of dawn, its four notes,
one two THREE, four climbing
a little way up into the future
and back down, and once again
everything that’s mine is in a rental truck
or in the future.
The end of romance was what the teenage girl
was telling you about on a bench in the Jardin
in San Miguel de Allende, giving you T.M.I.,
but you realized she might need a Father who is not in heaven.
She gasps: Tinder is even sleazier in Mexico, how could it be
nostalgic? You listened, like your poems do when you write
them down in the cafes of Kerouac’s time here. You are Angelico
Americano with Instagram—troubled children of your own back home.