The Common Announces 2024 Amazon Literary Partnership Grant

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The Common is pleased to announce the receipt of its sixth award from the Amazon Literary Partnership’s Literary Magazine Fund.

“We are honored to receive the Amazon Literary Partnership’s continued support,” said Jennifer Acker, The Common editor in chief. “This grant enables us to show how much we value our authors—by paying them a competitive rate and engaging them through and beyond the publication process.”

The Common plans to use this $5,000 grant to continue highlighting the voices of vibrant literary communities underrepresented in the publishing world. Past funding from the Amazon Literary Partnership most recently supported a portfolio of farmworker writing (Issue 26), co-edited with Lambda Literary Fellow Miguel M. Morales. This new grant will provide direct payments to a diverse group of writers and help them find a global readership via The Common’s integrated print and online publishing platforms.

The Common Announces 2024 Amazon Literary Partnership Grant
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June 2024 Poetry Feature: New Poems by Our Contributors

New poems by our contributors DAN ALBERGOTTI, KATE GASKIN, IQRA KHAN, and CARSON WOLFE 

Table of Contents: 

  • Dan Albergotti, “The Dumb Show” 
  • Kate Gaskin, “Newest Baby” 
  • Iqra Khan, “I Seek Refuge” 
  • Carson Wolfe, “Jack Kerouac Begs Me to Get an Abortion” 

 

The Dumb Show 
By Dan Albergotti 

They showed you the models. They warned you well
in advance. Levels and gasses and ice melt and us.
Storms and floods and fires and famine and us.
And now it’s here. And now you act surprised.

When I was studying Hamlet in college,
I wondered how Claudius could be so taken aback 
by the inner play’s events when the silent pantomime 
of the dumb show had already given away the plot.

My professor explained that the royals
would usually ignore the dumb show, would shield
their eyes, thinking such explanatory preamble
to the play itself was far beneath their station.

The dumb show was for the average folk, he said.
In the end, both Rosencrantz and Claudius are dead.

June 2024 Poetry Feature: New Poems by Our Contributors
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Friday Reads: June 2024

Yesterday, June 20th, marked the official first day of summer! Though the longest day of 2024 has come and gone, the season still promises a plethora of long afternoons and lazy nights. Many of us at The Common cherish this time as an opportunity to comb through our bookshelves and catch up on our neglected To Be Read lists. In this edition of Friday Reads, our editors and contributors share what they’re reading this summer, with recommendations in an array of genres and topics fit for the park, a road trip, a cool refuge from the heat, or whatever other adventures the season may have in store. Keep reading to hear from John Hennessy, Emily Everett, and Matthew Lippman

Friday Reads: June 2024
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Weekly Writes 2024: Committin’ to Get It Written!

Weekly Writes signups have now closed. To be the first to hear about our next round of Weekly Writes (January 2025), register your interest with this form.


Need some motivation? We’ve got you covered! Weekly Writes is a ten-week program designed to help you create your own place-based writing, beginning July 29.

We’re offering both poetry AND prose, in two separate programs. Whether you’re the next Dickinson or Dostoevsky, pick your program, sharpen your pencils, and get ready for a weekly dose of writing inspiration (and accountability) in your inbox!

 A graphic advertisement for Weekly Writes, saying "Sign up for Inspiration and Instruction to Meet Your Writing Goals!" 

Weekly Writes 2024: Committin’ to Get It Written!
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Museum Ice (Extended Dance Mix)

By AMALIA GLADHART

Anna was slow to do the math. B saw it instantly—what might be left after everything else melted away. White captions flickered in the dim exhibit hall. 

B had turned thirteen that fall, ready to join Anna on a trip that was part research, part treat and adventure, the first time they had left the country together, alone. A few days in Rosario (a university lecture, an interview with a playwright), the long bus to Buenos Aires. Invited to contribute to the itinerary, B asked to see glaciers; Anna booked a half-day trek across the ice. 

Passengers all around them had clapped when they landed in El Calafate. “That’s so sweet,” B said, joining in. Anna clapped, too, hoping it was thanks, not bald relief. The tiny airport was rapidly navigated. Advertisements lined the baggage claim, placed to catch a teenager’s eye. “They have an ice bar at the ice museum,” B said. “Can we go? There’s a free shuttle from the tourist office.”

Museum Ice (Extended Dance Mix)
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Para-

 
Image of a wooded mountain range with gray clouds in the sky and green grass below.

Photo courtesy of author.

Cherokee, NC and Phoenix, AZ

 

As a child, I watched horror movie after horror movie. An attempt to make myself brave or to make others think I was. And now, I fear I’m manipulative because how much can a person really change. Bones and weight and cartilage can only be altered to certain degrees.

When it comes to film, body horror disturbs me the most. Things that happen to a person’s body without their permission. And sometimes they don’t notice until their bodies are so acted upon that they are grotesque, twisted, so completely othered with pain they are no longer sovereign, but colonized by something outside of themselves.

Para-
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Nadryw | Feeling Language

By JONË ZHITIA
Translated from the German by LEANNE LOCKWOOD CVETAN

Piece appears below in English and the original German.

 

Translator’s note:

This essay, presented here in its entirety, won the 2022 Wortmeldung prize awarded by the Crespo Foundation, and, to me, is the thousand words expressed by the picture of the immigrant soul. The submission theme was: “Ships at anchor, cars in parking lots, but I am the one who has no home. How can flight, exile, and homelessness be put into words?”

Nadryw | Feeling Language
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Return to One’s Roots, Return to a Person, Return to Oneself: Vika Mujumdar Interviews Susana Praver-Pérez

Portrait photographs of Susana Praver-Pérez (left) and Vika Mujumdar (right)

Susana Praver-Pérez’s work, moving fluidly between English and Spanish, from Puerto Rico to California and New York, is a moving meditation on how place shapes our understanding of ourselves and the world. Praver-Pérez’s debut collection Hurricanes, Love Affairs, and Other Disasters, and recent collection, Return Against the Flow, reckon with how we make a place home, considering with care and generosity the landscape of Puerto Rico and its impact on her selfhood. In lyrical, narrative poems, Praver-Pérez examines how geography is defined by its landscape and people. Through the narrativization of lived experience and the intertextual poetry of others, Praver-Pérez’s collection, Return Against the Flow is a necessary documentation of the way language shifts across landscape and time.

In this interview, VIKA MUJUMDAR and SUSANA PRAVER-PÉREZ discuss place and geography, the shifting influences of language, and the transitory nature of diasporic belonging.

 

Return to One’s Roots, Return to a Person, Return to Oneself: Vika Mujumdar Interviews Susana Praver-Pérez
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Fee-Free Submission Period

Inspired by the mission and role of the town common, an egalitarian gathering place, The Common aims to foster the global exchange of diverse ideas and experiences. As such, we welcome and encourage submissions from writers who are Black, Indigenous, people of color, disabled, LGBTQIA+-identifying, immigrant, international, low-income, and/or otherwise from communities underrepresented in U.S. literary magazines and journals.

In an effort to remove barriers to access, The Common will open for fee-free submissions for two weeks, from June 17–July 1. Outside of that time, submitters with any financial hardship can contact us at info@thecommononline.org for a fee waiver.

Fee-Free Submission Period
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Podcast: Mayada Ibrahim on “Symphony of the South”

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Listen on Apple Podcasts.

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Listen on Spotify.

Transcript: Mayada Ibrahim

Mayada Ibrahim speaks to managing editor Emily Everett about her translation of “Symphony of the South,” a short story by Tahir Annour that appears in The Common’s most recent issue, in a portfolio of writing in Arabic from Chad, South Sudan, and Eritrea. Mayada talks about the process of translating this piece, including working with the author and TC Arabic Fiction Editor Hisham Bustani. She also discusses gravitating toward translation as a way to reintegrate Arabic into her life, after years of studying and learning in English. Her translation of Forgive Me, a novel set in Zanzibar and co-translated with her father, will be out in the UK this year.

portrait of author and issue cover

Podcast: Mayada Ibrahim on “Symphony of the South”
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