YARA GHUNAIM
Every day, on my way to work, I make a bet with myself: Will I find the tree—the one next to the Own the Apartment of a Lifetime! sign—still standing in the same place? When we’re together in the car, my mother wonders aloud: “My God, when did that building come up?” I imagine the buildings sprouting up from the earth, like plants.

KOMAL DHRUV
While the credits roll, Raj and Simran take the train to Amritsar International Airport. No one flinches at his bloodied face–they’ve all seen stranger things on these commutes. The couple returns to London, buys a flat with their parents’ money, sets up house.

OLGA ZILBERBOURG
Wilson’s novel, too, is a carnivalesque feast. It offers a constant spectacle of death and renewal in exuberant, entirely over-the-top settings. Most characters have a tragic death story attached to them. There are deaths in car crashes, fires, several forms of cancer, and an epileptic girl who dies from an attack of epilepsy that happens when she’s in prison.

G. C. WALDREP
I am listening to the slickened sound of the new / wind. It is a true thing. Or, it is true in its falseness. / It is the stuff against which matter’s music breaks. / Mural of the natural, a complicity epic. / The shoals, not quite distant enough to unhear— / Not at all like a war. Or, like a war, in passage, / a friction of consequence.

IRENE PUJADAS
“You need to take responsibility for your life,” F states. She finds it embarrassing to waste a Saturday morning on this nonsense. She then adds: “Do us all a favor and put an end to this circus—or, at the very least, sit in the middle.” You stay where you are.

MERCÈ IBARZ
Close, so close he can already taste it. This afternoon he’ll become the owner of a secret. But first he’ll have lunch with his mother, who’s waiting for him at the restaurant in the back of the Boqueria Market, and once he’s got her home safely, he’ll meet up with the current owner of a Picasso engraving and he’ll buy it.

JAMES K. BOYCE
A human hand reached into the burrow and lifted the downy chick into the daylight. A man carefully measured its wingspan to ascertain the Kid’s age: eight to fourteen days, old enough to self-regulate its body temperature but young enough to imprint on a new home.

K-YU LIU
The last thing I saw before I entered the building was her arm, which she held limply in the air as if she wanted to wave but the strength didn’t make it past her wrist, and I thought of the flag in Tiananmen Square when the August air was thick and breezeless, how high above us it hung, still and defeated.

By JIANAN QIAN This piece is part of a special portfolio about youth and contemporary culture in China. Read more from the portfolio here.   Alex dislikes the security check in Shanghai’s subway stations, from both an ideological and personal perspective. Being American, he hates any intrusion on privacy. And today he’s carrying a black

YUN QIN WANG 
June rain draws a cross on the glass.  / Alcohol evaporates.  / If I come back to you,  / I can write. My time in China  / is an unending funeral.  / Nobody cried. The notebook is wet.