Phenomenology Study / Elegy for Island Love  

By STEPHANIE NIU 

The banana plant that thrashed outside my lover’s window  
seemed unreal. Our hours together felt like a dream:  
how he nudged a spider up the shower tile
with a cupped hand, unwilling to hurt anything  
alive. How unlike me, watching the slow turn  
of the ceiling fan, wondering whose stanza I’d slipped  
into. Once, I could see how badly he wanted me 
to say something honest. My constellation of facts  
could not parry his grief. The tide is low / The limes  
are ripe / I saw a cauliflower jellyfish today. The sea  
we shared, a surface I could not bear to speak past.  
I used my words. I wove a net of truth and cast it  
between us. And when it rained, I listened  
to the banana leaves, believing I could hear their color. 

 

 

[Purchase Issue 29 here.]

Stephanie Niu is a poet and writer from Marietta, Georgia. She is the author of I Would Define the Sun, which won the inaugural Vanderbilt University Literary Prize, and chapbooks Survived By and She Has Dreamt Again of Water. She lives in Brooklyn, New York. 

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Phenomenology Study / Elegy for Island Love  

Related Posts

Hitting a Wall and Making a Door: A Conversation between Phillis Levin and Diane Mehta

DIANE MEHTA and PHILLIS LEVIN
This conversation took place over the course of weeks—over daily phone calls and long emails, meals when they were in the same place, and a weekend in the Connecticut countryside. The poets share what they draw from each other’s work, and the work of others, exploring the pleasures of language, geometric movement, and formal constraint.

Waterfall

River Landscape

DANIELA ALCIVAR BELLOLIO
The image came to him all the time, uncontrollably, relentlessly: a face, combining incomprehension and terror perfectly, as though they were a natural combination. Pain was almost absent from this mixture, though he was certain that there, too, must have been pain. The image came to him all the time.

From IHOP

LUCHIK BELAU-LORBERG
It frustrated me, probably because I’m that way too, what with the unread books and dirty dishes. So IHOP made sense for us both. Like all quintessentially American fast food chains, it’s instrumental, noncommital, infinitely replicable. In other words—simple, safe, unmournable by design.