Solitude

By ADRIENNE SU

I had had my fill,
but I kept devoting more 
days, then weeks to it, 

buying books, making 
no plans, as if empty slots 
would well up with rain, 

pushing anyone 
who might edge into my space 
away as if by 

natural forces. 
I never pledged anything 
permanent to it,  

but habit carves rock. 
Why did I think a movie,  
a concert, a game 

would drown something out? 
I have come to my senses. 
I believe in books, 

but they have their place. 
The flowers in them lack scent. 
Books cannot feed you; 

they are at their worst 
when imitating romance, 
not because they don’t 

get it but because 
they do: romance is mental. 
That’s why, looking back 

on real-life failures, 
you ask, What was I thinking?  
You already know 

what you were doing. 
Even at the time, you knew 
what you were doing.  

 

Adrienne Su recently published her first essay collection, Hot, Sour, Salty, Sweet. Author of five books of poems, including Peach State and Living Quarters, she teaches at Dickinson College.

[Purchase Issue 28 here.]

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Solitude

Related Posts

Cover of Dear Mothership

August Poetry Feature

ELLEN HINSEY
Never forget: the Tyrant time reached others before you—they too weathered the deluge of its tempest-strewn path. For Tyranny always imagines it will write history. But, time and again, it is Justice that will arise, then bow down to write—the history of Tyranny’s demise, instead.

Headshot and Issue 31 cover

Podcast: Lauren Delapenha on “Supermarketing”

LAUREN DELAPENHA
Lauren Delapenha speaks to Emily Everett about her poems “Supermarketing” and “If You Are Learning English,” which appear in The Common’s spring issue. Lauren also discusses her process, her time at the Disquiet Literary Program in Lisbon, and balancing both teaching and writing.

July 2026 Poetry Feature

AMIYA MORETTA
Magnolia tree in the window, hammock, / a loop in hours, a cradle of light we swing inside, / naming what we’re afraid of. / In this version, he is from halfway around the world. / Some net caught the curve of us in the dark, / gathered what it could, his hand, my pulse.