All posts tagged: Carson Wolfe

What We’re Reading: November 2024

Curated by SAM SPRATFORD

With the holidays coming up, many of us turn to books for company on cold nights, or a respite from the stress of the season. If you’re craving an escape into the world of ideas, look no further! This month, our contributors DOUGLAS KOZIOL, CARSON WOLFE, and ANGIE MACRI deliver an eclectic mix of nonfiction and poetry recommendations sure to satisfy and inspire the curious reader.

Cover of "Goodbye, Dragon Inn": the title appears in a golden serif font against a royal purple background.

Nick Pinkerton’s Goodbye, Dragon Inn; recommended by Issue 28 contributor Douglas Koziol

Tsai Ming-liang’s 2003 film Goodbye, Dragon Inn is, in one sense, an elegy to a type of moviegoing no longer possible. Set in a single-screen Taipei theater on its final night, as it plays the 1967 wuxia (a Chinese martial arts subgenre) classic, Dragon Inn, to a handful of people, it would be easy to read the film as overly sentimental or nostalgic. But Nick Pinkerton resists this temptation in his book on the film, which treats the concerns of Goodbye, Dragon Inn with a wonderfully discursive and prismatic critical eye.

What We’re Reading: November 2024
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June 2024 Poetry Feature: New Poems by Our Contributors

New poems by our contributors DAN ALBERGOTTI, KATE GASKIN, IQRA KHAN, and CARSON WOLFE 

Table of Contents: 

  • Dan Albergotti, “The Dumb Show” 
  • Kate Gaskin, “Newest Baby” 
  • Iqra Khan, “I Seek Refuge” 
  • Carson Wolfe, “Jack Kerouac Begs Me to Get an Abortion” 

 

The Dumb Show 
By Dan Albergotti 

They showed you the models. They warned you well
in advance. Levels and gasses and ice melt and us.
Storms and floods and fires and famine and us.
And now it’s here. And now you act surprised.

When I was studying Hamlet in college,
I wondered how Claudius could be so taken aback 
by the inner play’s events when the silent pantomime 
of the dumb show had already given away the plot.

My professor explained that the royals
would usually ignore the dumb show, would shield
their eyes, thinking such explanatory preamble
to the play itself was far beneath their station.

The dumb show was for the average folk, he said.
In the end, both Rosencrantz and Claudius are dead.

June 2024 Poetry Feature: New Poems by Our Contributors
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Every Other Weekend

By CARSON WOLFE

The morning after I had woken to him
holding his flashlight beneath my bedsheets,

I told him I felt too sick to go to school.
It’s always confused me, why I chose

to stay in his house another full day,
waiting for my mother to finish work.

Like any other, we played chess
just like he’d taught me, and he let me win.

Something broken and unnameable
hanging between us—perhaps it is me,

writing this poem, watching myself
shrink as a ten-year-old, watching him

sacrifice another pawn. From this angle,
it occurs to me, after all these years,

that he knew I was going to tell.
And now I am afraid for that little girl.

How much easier it all could have been
had I tripped at the top of the stairs.

It must have crossed his mind
as those silent hours came to a close.

He didn’t reach over the gear stick
to rub my thigh on the drive home,

only stared out at the barriers
as we crossed Barton Bridge.

I always believed him
to be pathetic, a coward of a man,

but we pulled up outside my mum’s house
and he opened the door, let me out.

 

[Purchase Issue 30 here.]

CARSON WOLFEis a Mancunian poet and the grand prize winner of the 2024 DISQUIET International Literary Prize. Their work has appeared with Poetry Magazine, The Rumpus, and Rattle, amongst others. Their new book Coin Laundry at Midnight is forthcoming with Button Poetry in spring 2026.

Every Other Weekend
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