All posts tagged: Audio

Podcast: Cush Rodríguez Moz on “Future Remains”

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Transcript: Cush Rodríguez Moz

CUSH RODRÍGUEZ MOZ speaks to EMILY EVERETT about his essay “Future Remains: The Mysterious Allure of a Town in Ruins,” which appears in The Common’s fall issue. The piece chronicles a trip to Villa Epecuén: once a vacation destination for the wealthy in Argentina’s golden age, now a site for disaster tourism after salt-water flooding first ruined and then preserved it. Cush discusses how the piece evolved from simple travelogue to a complex personal essay examining national and personal decline, climate and political change, and our fascination with destruction and decay.

Headshot of Cush Rodriguez Moz next to the cover of The Common's 30th issue
 

Cush Rodríguez Moz is a journalist, writer and photographer currently based in Madrid. His investigative articles and long-form narrative pieces cover an array of themes that include environmental issues, agriculture and urbanism. His work has appeared in El Malpensante, AltäirThe New Yorker and Climática, among other outlets. He also collaborates regularly with Revista Late. He holds degrees in history, geography and journalism. Prior to Spain, he lived in Italy and Argentina.

­­Read Cush’s essay in The Common at thecommononline.org/future-remains-the-mysterious-allure-of-a-town-in-ruins.

Read more from Cush at linktr.ee/cush.moz, and follow him on Instagram @cush.moz.


The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Instagram, Bluesky, and Facebook.

Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford is the Reese’s Book Club pick for April 2025. Her work has appeared in The New York Times Modern Love column, the Kenyon Review, Electric Literature, Tin House, andMississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.

Podcast: Cush Rodríguez Moz on “Future Remains”
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Body Stories: On Miscarriage and Cancer

By REBECCA WORBY

 

My mother and stepmother got breast cancer six months apart. I realize, since only one of them is my blood relative, it doesn’t mean, you know

Mid-summer, mid-pelvic exam, I am in the middle of this sentence when pain whooshes through me. I make a noise of surprise.

Body Stories: On Miscarriage and Cancer
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Podcast: Lily Lloyd Burkhalter on “Raffia Memory”

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Transcript: Lily Lloyd Burkhalter

Lily Lloyd Burkhalter speaks to managing editor Emily Everett about her essay “Raffia Memory,” which appears in The Common’s spring issue. Lily talks about traveling to the Cameroon Grassfields to research the rituals and production of ndop, a traditional dyed cloth with an important role in both spiritual life and, increasingly, economic life as well. She also discusses the book-length project she’s working on, which explores loss, grief, fabric, sewing, and weaving.

Podcast: Lily Lloyd Burkhalter on “Raffia Memory”
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Podcast: Mariah Rigg on “Target Island”

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Transcript: Maria Rigg Podcast.

MARIAH RIGG speaks to managing editor EMILY EVERETT about her story “Target Island,” which appears in The Common’s spring issue. “Target Island” is a story from her short story collection Extinction Capital of the World, out August 5 from Ecco; both focus on the islands of Hawai’i. Mariah talks about the process of writing and revising this story and the collection as a whole, and why reflecting contemporary Hawai’i is important to her work. Mariah also discusses playing with time and narrative flow in her stories, and working on a new project—her first novel.

Headshot of Mariah Rigg and the cover of Issue 29 of The Common

Podcast: Mariah Rigg on “Target Island”
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Podcast: Pria Anand on “The Elephant’s Child”

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Transcript: Pria Anand Podcast.

 PRIA ANAND speaks to managing editor EMILY EVERETT about her story “The Elephant’s Child,” which appears in The Common’s spring issue. The piece is a vivid retelling of a Hindu myth, the origin story of the elephant-headed god Ganesh. Pria talks about the process of writing and revising many versions of this ancient myth, why she felt inspired by it, and how her literary writing intersects with her career as a neurologist. Pria also discusses her debut book, The Mind Electric: A Neurologist on the Strangeness and Wonder of Our Brains, out this month from Simon & Schuster. The book explores how story and storytelling can illuminate the rich, complex gray areas within the science of the brain, weaving case study, history, fable, and memoir.
 

Headshot of Pria Anand next to Issue 29 cover
Podcast: Pria Anand on “The Elephant’s Child”
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The Elephant’s Child

By PRIA ANAND

 

The elephant-headed boy was born with the head of a boy.

“I had been expecting you for years,” his mother told him. “By the time you were born, you could practically walk.”

The Elephant’s Child
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Decapitated

By TERESE SVOBODA

We traveled as a group to Kenya on assignment to photograph zebra in complete abstraction, or the pores around the elephant’s flickering eyelid, or herds of giraffe clustered around salt licks like politicians deciding the fate of the country. We also drank. Fred, a Texan beer-sipper, always used a longer lens than the job needed. He worked in advertising, which meant that an assignment like this was his big chance to express himself. Franco bore his drink and our presence sardonically, a finger to the ear and always a story to accompany his glass of wine, usually about a donkey and metaphysics. It wasn’t a donkey after all was often the punchline. He was important enough that he could invite Heinemann to tag along on the trip. Heinemann’s wife was tending to an extremely pregnant NGO daughter, an activity that offered little for him, he said, personally. He was a professional magician elsewhere, not a photographer. But he was also very adept in the academic world, with an air of abstraction that suggested he had cleared collegiate hurdles in boredom. He drank vodka well. As for me, I drank gin and tonics as if they would stop malaria in its tracks. I had a name in photography, but after shooting the body for decades, my work had begun to disappear. A woman the men’s age, I had become invisible, as if I were left in too little fix. 

Photography made Heinemann uncomfortable; he was an expert in everything else, or else he pleased his friend Franco by demurring to his opinion. The rest of us declaimed as if we knew every ABC in the book, but really Heinemann was the one we all envied with his academic paycheck, as evidenced by our earnest critiques of his amateurish attempts at taking pictures. Your gloating hyena is too hackneyed, we argued, the baobab against the sunset too obscene, and the dancing women adorned in beads and gold cloth are far too pretty to be pithy. Heinemann laughed and pulled a coin out of Fred’s ear. Advertising! he exclaimed. He settled on photographing the steam pouring over the car engine. 

Decapitated
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Podcast: Michael David Lukas on “More to the Story”

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Transcript: Michael David Lukas

Michael David Lukas speaks to managing editor Emily Everett about his essay “More to the Story,” which appears in The Common’s fall issue. Michael talks about his writing process for the essay, which began when a dark family mystery moved him to research a side of his family he’d never learned much about. He also discusses the revision stages of the piece, which included adding in details of the other side of the family—his mother’s parents—who were Holocaust survivors. We also talk about his time as a nightshift proofreader in Tel Aviv, and the new novel project he’s working on now.

Michael David Lukas' headshot next to the cover of The Common Issue 28.

Podcast: Michael David Lukas on “More to the Story”
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Podcast: Gray Davidson Carroll on “Silent Spring”

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Transcript: Gray Davidson Carroll

Poet Gray Davidson Carroll speaks to managing editor Emily Everett about their poem “Silent Spring,” which appears in The Common’s fall issue. Gray talks about poetry as a way to witness and observe the world and how we experience it, and how it’s changing. Gray also discusses how they started writing poetry, how they approach drafting and revision, and how their work in public health fits with and complements their work in poetry. We also hear a reading of Gray’s first poem in The Common, “November 19, 2022,” about the Club Q nightclub shooting in Colorado Springs.

Gray Davidson Carroll's headshot next to the cover of The Common Issue 28.

Podcast: Gray Davidson Carroll on “Silent Spring”
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LitFest 2025 Excerpts: Video Poems by Paisley Rekdal

Amherst College’s tenth annual literary festival runs from Thursday, February 27 to Sunday, March 2. Among the guests is PAISLEY REKDAL, whose book West: A Translation was longlisted for the National Book Award. The Common is pleased to reprint a short selection of video poems from West here.

Join Paisley Rekdal and Brandom Som in conversation with host Ruth Dickey, Executive Director of the National Book Foundation, on Sunday, March 2 at 2pm. 

Register and see the full list of LitFest events here.


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LitFest 2025 Excerpts: Video Poems by Paisley Rekdal
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