All posts tagged: Audio

Podcast: Anu Kumar on “The Woman in the Well”

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Anu Kumar speaks to managing editor Emily Everett about her essay “The Woman in the Well,” which appears in The Common’s spring issue. Anu talks about the vivid memories from childhood that inspired this essay about ghosts, fear, family dynamics, and violence against women in India. She also discusses the revision process for the essay, her interest in writing women’s untold stories, and her current writing projects.

Headshot of Any Kumar next to the common's issue 23

Podcast: Anu Kumar on “The Woman in the Well”
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Podcast: Romeo Oriogun on “The Sea Dreams of Us”

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Transcript: Romeo Oriogun Podcast.


Romeo Oriogun speaks to managing editor Emily Everett about his poem “The Sea Dreams of Us,” which appears in The Common’s fall issue. In this conversation, Romeo talks about his life as a poet in exile from Nigeria, and how that experience of exile appears in his poetry. He also discusses his writing process, the themes he often returns to in his work, and how growing up in Nigeria affects his use of language in poetry.

Image of Romeo Oriogun and the Issue 22 cover (pink seashell on light blue background),

Podcast: Romeo Oriogun on “The Sea Dreams of Us”
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Podcast: Mary O’Donoghue on “Safety Advice for Staying Indoors”

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Transcript: Mary O’Donoghue Podcast.

Mary O’Donoghue speaks to managing editor Emily Everett about her story “Safety Advice for Staying Indoors,” which appears in The Common’s fall issue. Mary talks about crafting a story that explores two points of view within the same Irish family, both stuck inside during a strong storm, both coping with loss. She also discusses her work translating Irish-language poets, her interest in stories that require the reader to connect their own dots, and what it’s like to edit fiction for AGNI while writing her own short stories, too.

Headshot of Mary O'Donoghue (white woman with curly hair) next to cover of The Common ISsue 22 (pink seashell on blue background)

Podcast: Mary O’Donoghue on “Safety Advice for Staying Indoors”
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In Search of Hassan Matar

By HITEN SAMTANI

As the car passed the Flag and sped toward Za’abeel, Avi’s crisp V’s became softer and less pronounced—“wees,” even. By the time he crossed Sana Signal, coffee shops and villas having given way to the old city’s chai stalls and low-rise apartments, the languid, questioning “ahs” at the ends of his sentences had been abandoned, the tongue clicks dropped. “Paps, what time do we have to make a move to the souq?” he said to his dad on the phone, sounding like just another Bur Dubai kid. “Okay, I’ll be downstairs in an hour.” He gestured to the driver to pull up outside his building and hopped out, throwing the Capri-Sonne straw he had been chewing all the way from school onto the pavement. His gait had changed, too: on the Jumeirah side of the Flag, he adopted the exaggerated chest-swivel of the Khaleeji, ass jutting out, body taking up far more real estate than someone of his frame reasonably should. Here, however, he stepped within himself. 

There were rules, though. If even one lochal or premium expat were spotted, accents would be drawn. Intonations would warp midway, vowels replaced with dressier ones like guest bedsheets. 

 

In Search of Hassan Matar
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Appetite

By DAN ALBERGOTTI

Emerging from her cocoon without a mouth,
the luna moth climbs onto a stem to unfurl
and dry her wings. She’ll find a mate tonight.

There will be no kiss. There will be no taste.
There will be no speech or song. After midnight
the still, silent couple will join like drops of rain.

Appetite
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Three Sunrises to Ouranopolis

By NICHOLAS SAMARAS

 

I rode a slow bus out of blackness.
Five a.m. in northern Greece.
The language, blurry and mumbled.
I paid pastel money for a bus
ticket to Ouranopolis whose name
means “City of Heaven.”

Three Sunrises to Ouranopolis
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Notes on Looking Back

By STEVEN TAGLE

 

Last year, I wandered through Greece, knocking on all the gates of Hades. I walked along the Acheron River, whose icy blue waters seemed colored by the spirits of the dead. Stalactites dripped onto the back of my neck as a silent boatman ferried me through the caves of Diros. I searched for the entrance to the sea cave at Cape Tainaron, scrambling over sharp rocks below the lighthouse as darkness fell. Sometimes I wondered if my search for the underworld tempted the Fates. I remembered Orpheus, the father of music, who charmed beasts with his lyre and descended into Tainaron to find his lost bride, Eurydice. With song, he implored Hades and Persephone to bring her back to life, and his words moved the deathless gods to tears. They granted his wish, allowing him to lead her out of the underworld on one condition: he must walk ahead of her, not looking back until they left the dark halls of death. Approaching the surface, the farthest reach of light, Orpheus feared his love’s silence behind him. He turned to look and saw her sink back into the depths, reaching out to him and bidding him farewell for the last time.

Notes on Looking Back
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Podcast: Silvia Spring on “The Home Front”

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Silvia Spring speaks to managing editor Emily Everett about her debut short story “The Home Front,” which appears in The Common’s fall issue. In this conversation, Spring talks about the inspiration and process behind this story, which tangles with the difficulties of coming into adulthood, and the experience of living abroad without feeling part of the community. Spring drew from her own experience studying and living in London in the U.K., and her time as a journalist at Newsweek, embedded with troops in Iraq and Afghanistan. The conversation also includes discussion of the revision process; writing without an MFA; and U.S. foreign policy, today and over the last few years.

Image of Silvia Spring's headshot and The Common's Issue 20.

Podcast: Silvia Spring on “The Home Front”
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Podcast: KC Trommer on “The Couple”

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KC Trommer speaks to managing editor Emily Everett about her poem “The Couple,” which appears in The Common’s fall issue. In this conversation, Trommer discusses writing about artwork she finds compelling and sometimes disturbing, like the Louise Bourgeois sculpture explored in this poem. She also discusses her Queens-centered poetry project QUEENSBOUND, her work as a visual artist, and her experience living a block and a half from Elmhurst Hospital in Jackson Heights, the epicenter of the early pandemic.

KC Trommer and Issue 20 of The Common

Podcast: KC Trommer on “The Couple”
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