All posts tagged: October 2023

Farmworker Days: Ilan Stavans in Conversation with Juan Felipe Herrera

 
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This feature is part of our print and online portfolio of writing from the immigrant farmworker community. Read more online or in Issue 26.

The early life of Juan Felipe Herrera (b. 1948), the U.S. Poet Laureate emeritus, was shaped by the farmworker’s cycle of seasonal work. His poetry, rich in Mexican pop culture, distills a unique music. He is the author of Akrilica (1989), Border-Crosser with a Lamborghini Dream (1999), and 187 Reasons Mexicanos Can’t Cross the Border: Undocuments 1971-2007 (2007), among other books. In this dialogue with Ilan Stavans, Lewis-Sebring Professor at Amherst College and the editor of The Norton Anthology of Latino Literature, which took place in Los Angeles, California on April 19, 2023, he reflects on his formative experiences as a poet defined by an itinerant childhood.

Farmworker Days: Ilan Stavans in Conversation with Juan Felipe Herrera
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Podcast: Christopher Spaide on “Closure?”

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Transcript: Christopher Spaide Podcast

Christopher Spaide speaks to managing editor Emily Everett about his poem “Closure?,” which appears in The Common’s most recent issue. Chris talks about how his curiosity for language and wordplay often lead him into deeper themes in his poems. He also discusses taking his first poetry class at Amherst College, and, now, teaching poetry classes himself at Emory University.

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Podcast: Christopher Spaide on “Closure?”
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October 2023 Poetry Feature

New poems by our contributors BRAD CRENSHAW, JOANNE DOMINIQUE DWYER, ELIZABETH HODGES and OKSANA MAKSYMCHUK

Table of Contents:

  • Oksana Maksymchuk, “Sentences”
  • Joanne Dominique Dwyer, “Prophesies in a Park”
  • Elizabeth Hodges, “Athena”
  • Brad Crenshaw, “Spilling Seed (Second Vision)”

 

                                     Sentences
                                     By Oksana Maksymchuk

                                     A ten-year-old, escaped
                                     from a war waged across 
                                     a membranous border

October 2023 Poetry Feature
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A More Suitable Helen

By MARGARET MEEHAN

Something was crawling underneath Helen’s skin. Or wasn’t? Or was? She leaned in closer to her bathroom mirror and squinted at the S-shaped bump, red and angry around the border, with an edge of self-disgust. It had been there for two days. First, tucked timidly underneath her eyebrow, easily mistaken for an irritated hair follicle, which, no big deal, but now, if her eyes weren’t playing tricks, it had scooted its way smack-dab in the center of her forehead, spotlighted by the offensive bulb overhead. Could it have been something she ate? That rubbery shrimp in the food-court lo mein? Or an unwitting encounter with some poisonous leaf in Punta Cana last week? When she stumbled into that bush after one too many coladas? She thought of texting Bob to see if any curious growths had appeared on his pallid body but decided she’d rather physically suffer than emotionally exhaust herself in a forced flirtatious exchange that would no doubt end with a dinner invitation she’d say yes to, even though the idea repulsed her. 

A More Suitable Helen
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Farmworker Poetry Feature: Rodney Gomez

Poems by RODNEY GOMEZ

This feature is part of our print and online portfolio of writing from the immigrant farmworker community. Read more online or in Issue 26.

 

Barrioized Haiku

When it rains the water
raises the dead
street long enough
to let the wheels
find the divots of neglect.
That is why I walked
barefoot to your lintel:
everything built skews
away from us and toward
the gray light of wealth.

Farmworker Poetry Feature: Rodney Gomez
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Lay It Bare: Joy Baglio Interviews Anders Carlson-Wee

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ANDERS CARLSON-WEE‘s 
Disease of Kings showcases a mastery of tone and voice, an uncanny ability to talk to you (reader) like a friend and confidant, while telling you the hardest truths— truths that might actually change your life, truths the world doesn’t necessarily want you to know. These poems are urgent without being demanding, confessional without being sensational, and indirectly lead us to reconsider the nuances of relationships, how our lives are structured, and ultimately the big questions of what matters most. Disease of Kings tells a fierce, uncompromising narrative, yet also manages to be deeply vulnerable and do away with pretense and artifice, embracing a primal need to “Lay It Bare,” as one of the poems is aptly titled.

JOY BAGLIO sat down with Anders to discuss Disease of Kings, touching on his impulse toward narrative, crafting vivid imagery, honing voice, and more. 

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Lay It Bare: Joy Baglio Interviews Anders Carlson-Wee
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