What But Dignity in the Vigil

By STEPHEN HAVEN

The night nurse quibbling with the old GP:
The lobbied family becalmed around
Everything morphined: They more or less agree

But not when the coroner calks the door,
Their cargo embargoed, down to the last apple,
Scurvy in the hold. Realtors, creditors conjugate

The numbers of their deep harbors: Always room
To pay some more, foam from the ocean’s floor.
In this you’re meant to swing, hit perfectly

The backwalkover on the beam, high five
Your work colleagues, walk the dog 6 a.m.
As always, flag of your old repose,
That slit sail, that white rose.

 

Stephen Haven is the author of The Last Sacred Place in North America (2012, winner of the New American Press Poetry Prize). He has published two previous collections of poetry, Dust and Bread (2008, for which he was named Ohio Poet of the Year), and The Long Silence of the Mohawk Carpet Smokestack (2004). He directs the MFA Program in Creative Writing at Ashland University, in Ohio. He was twice a Fulbright Professor of American literature at universities in Beijing.

[Click here to purchase your copy of Issue 08]

 

What But Dignity in the Vigil

Related Posts

Chinese Palace

Portfolio from China: Poetry Feature I

LI ZHUANG
In your fantasy, the gilded eaves of Tang poked at the sun. / In their shadow, a phoenix rose. / Amid the smoke of burned pepper and orchids, / the emperor’s favorite consort twirled her long sleeves. / Once, in Luo Yang, the moon and the sun shone together.

Xu sits with Grandma He, the last natural heir of Nüshu, and her two friends next to her home in Jiangyong. Still from Xu’s documentary film, “Outside Women’s Café (2023)”. Image courtesy of the artist.

Against This Earth, We Knock

JINJIN XU
The script takes the form of a willow-like text, distinctive from traditional Chinese text in its thin shape and elegance. Whenever Grandma He’s grandmother taught her to write the script, she would cry, as if the physical act of writing the script is an act of confession.

a photo of raindrops on blue window glass

Portfolio from China: Poetry Feature II

YUN QIN WANG 
June rain draws a cross on the glass.  / Alcohol evaporates.  / If I come back to you,  / I can write. My time in China  / is an unending funeral.  / Nobody cried. The notebook is wet.