Lover, before the pandemic

By ELEANOR STANFORD

I understood power
as the ability to excite
desire. When I passed
the socialists camped out
in the square in Mexico City
last summer I cringed
in recognition and took a picture
that I texted to my anarchist
in another country. Later
I bought silver earrings
in the market in Coyoacán.
On the Airbnb’s creaky bed
with you, I conjured
Frida and Diego’s vivid
fits of jealousy.
Do you not possess,
lover, like political systems,
a strong, articulated
discourse? You do not.
Once, not long ago,
I was a city
laid low by desire.
Now I’m an empire
of indifference,
tending the borders
of my pallid daffodils.

 

Eleanor Stanford is the author of three books of poems, The Imaginal Marriage, Bartram’s Garden, and The Book of Sleep. Her poems and essays have also appeared in Poetry, Ploughshares, Harvard Review, The Iowa Review, and many other journals. She was a Fulbright Fellow to Brazil, where she researched and wrote about traditional midwifery. She is also the recipient of a 2019 NEA grant in poetry. She lives in the Philadelphia area. 

 

[Purchase Issue 27 here.] 

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Lover, before the pandemic

Related Posts

Caribbean picture

Self-Portrait in The Caribbean

PAOLA ASSAD BARBARINO
Sometimes I am emboldened, / I decide to stand in the people’s balcony / I decide it is Maundy Thursday I decide to place a priest behind me that can speak to the people behind / my back / I decide to put out the fire and light my throat / scream

Feltspade

ELIAS SADAQ
I serve out my conscription / sleep in a bunk bed / for four cold months / in the engineer regiment at Skive Garrison / in a room with three other men / I fuck the colonel / the only sign that time is passing / is a pile of snow outside the window / that grows smaller

Book cover of Fifty Mothers

Mother is a Kind of Holding: Jenny Qi interviews Preeti Vangani

PREETI VANGANI
With vignettes, I could plumb its narrative arc to become a force propelling the book forward. It also felt haunting yet warm that the mothers kept reappearing throughout the life of this grief. That repetition created a chorus of voices that angers and despairs, yet cradles the speaker.