Arab Springs

By ANDREA SCOTT 

And the clucking tongue of a woman in her black chador . . .

And the feeling that this may be less than what’s real . . .

I cannot translate what the old man has said, grinning toothless from
the computer screen.

He’s cursing the Mullahs and all that’s hypocritically holy in Iran.

 

* * *

 

Why don’t you bring more of your story into your work, the committee asks.

Because I don’t have the strength even for interviews, he says.

And later, to me,

It’s a wonder the music of Shajarian alone hasn’t broken my heart.

He sounds like birds beating their wings against the black glass of night.

He sounds like lovers whose longing expresses the desire to forget that longing
ever was.

He sounds like . . .

Persian music fit for opera.

The exiled singer Marzieh in her silver, matronly robes,

her posture erect as Eucalyptus shivering in the Mediterranean wind.

The bellowing notes quaking with slivered flight.

Be that thou art, that they may.

 

* * *

 

I can’t remember the stories he tells.

My eyes become mirrors as he launches in

dreamy and heart-broken, then angry and afraid.

The weight of empathy hardening into a cool reserve for

yes, yes what was, what hadn’t ever been or should.

 

* * *

 

The grammar of affection so steeped in past want.

You were, I was so . . . something.

If I could take away that need, I’d race back to you,

to some place nested in the cobbled wreck of our home.

 

* * *

 

Belated witches. The young girls sashed in black and green.

The cry of hope now digitized in the bird’s faltering song.

This displaced placing of the center’s hold.

Who said it couldn’t be just so?

 

 

Andrea Scott has published essays, poems, and translations in journals such as Denver Quarterly, jubilat, Web Conjunctions, Salt Hill, and Chicago Review, where she also served as an associate poetry editor. The poem featured in this journal is an excerpt from a long poem in her manuscript Arab Springs. She taught in the Princeton Writing Program for five years and joined Pitzer College in fall 2013 as assistant professor and director of the Writing Center.


[Purchase your copy of Issue 06 here]

 

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Arab Springs

Related Posts

They Could Have

CONSTANTINE CONTOGENIS
I’m just trying, wretch that I am, to put my life together. / Now, had the ruling gods bothered, they could have / made a fourth, who was good. / I’d have followed him, with pleasure. 

March 2026 Poetry Feature: Welcome Back Peter Filkins

PETER FILKINS
pissarro is dead cézanne too / swept away like willowed flotsam / that brute degas gone as well / chafing tides the sea of years // long ago battles fought discarded / ballast tossed from fame’s balloon / rising like heat and the unheard prices / feeding straw to the fires of need // for more garden cuttings variants

Two Poems by Heather Bourbeau

This forest is named for the first head of the National Forest Service, who warned of assuming natural resources were inexhaustible, who said without conservation we pay the price of misery, degradation, and failure, who asked if these resources were for the benefit of us all or for the use and profit of a few? He was also a leading eugenicist.