Fernão the Gardener Has Premonitions

By YVETTE CHRISTIANSË

 

There is a stain on the horizon.
It leaks into the world, covers
the linens, covers the faces
and turns this ocean, shuddering,
from its course. I speak
two tongues—one dressed
in syllables of government,
shielded by amen and hallelujah,
the other a ragged stumbling,
of this place, utterances
of silence and elation, wave breaks
and soil—I speak two tongues,
and neither will suffice.

There is a stain on the horizon.
It covers the world, a curse
whose logic will not be exposed.
It has no knowledge of amen
or hallelujah. It soils the waters.
It breaks the gardens—and
these are my vines and these
the fruits of a labour I understand.
It turns the sun away and my lips
will not move beyond this approach
to its name. And, yes, there is no name
for what I see, but this foraging
for a new lexicon of horror.

I speak two tongues, one
squabbles between possession
and longing, one occupies the lower
ranges of confidence and goes in search
of leaves shaken by the wind,
the warmth of a simple flame.
Daily, in the way days go—
neophyte glad in the language of water,
of grains of salt blown up from the ocean—
I grow away from one tongue
and into the other, though neither
will save me now, or the world.

 

 

Yvette Christiansë is a South African-born poet, novelist, and scholar.

Click here to purchase Issue 04

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Fernão the Gardener Has Premonitions

Related Posts

A window on the side of a white building in Temple, New Hampshire

Dispatches from Søgne, Ditmas Park, and Temple

JULIA TORO
Sitting around the white painted wood and metal table / that hosted the best dinners of my childhood / my uncle is sharing / his many theories of the world / the complexities of his thoughts are / reserved for Norwegian, with some words here and there / to keep his English-speaking audience engaged

November 2025 Poetry Feature: My Wallonia: Welcoming Dylan Carpenter

DYLAN CARPENTER
I have heard the symptoms play upon world’s corroded lyre, / Pictured my Wallonia and seen the waterfall afire. // I have seen us pitifully surrender, one by one, the Wish, / Frowning at a technocrat who stammers—Hör auf, ich warne dich! // Footless footmen, goatless goatherds, songless sirens, to the last, Privately remark—