Building

By KANYA KANCHANA

“Raise high the roof beam, carpenters.
Like Ares comes the bridegroom,
taller far than a tall man.”
—Sappho

 

A brief architectural brief 

Give me 
a circle, a halo, a circumscription, 
a sphere of eleven dimensions, 
a list of lists,
a key. 

Give me 
a thunderstorm poncho, 
an endangered turtleshell, 
a backpack no heavier than 12 kilos, 
a cave. 

Give me 
a terrace of food, 
a garden of songs, 
a communal lovebowl, 
a lab. 

Give me 
the bones of mammals, 
their tendons and ligaments, 
their shrinkwrap of fascia, 
a ship. 

Give me
a compendium of excruciating minutiae, 
a harem of small kitchen appliances, 
a nest of mynahglitter, 
a web. 

Give me 
the unfittable fit, 
the face of the mask, 
the toomuch that I ask— 

Give me 
or go home.

 

Kanya Kanchana is a poet from India working on her first collection. Her poems have appeared in Poetry, Anomaly, Asymptote, and elsewhere. Her translations have appeared in Exchanges, Asymptote, Waxwing, Circumference, Aldus, and Muse India. Her flash fiction has appeared in Litro and Paper Darts, and is forthcoming from The Conium Review. Her work was shortlisted for the 2019 DISQUIET Prize and awarded a 2018 baseCollective Residency Scholarship. Kanya is also engaged in practice, teaching, and Sanskrit philological research at the intersection of tantra and yoga and is currently doing her MPhil at the University of Cambridge.

[Purchase Issue 20 here.]

 

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Building

Related Posts

A Tour of America

MORIEL ROTHMAN-ZECHER
This afternoon I am well, thank you. / Walking down Main Street in Danville, KY. / The heavy wind so sensuous. / Last night I fell- / ated four different men back in / Philadelphia season lush and slippery / with time and leaves. / Keep your eyes to yourself, yid. / As a kid, I pledged only to engage / in onanism on special holidays.

cover for "True Mistakes" by Lena Moses-Schmitt

Giving the Poem a Body: Megan Pinto interviews Lena Moses-Schmitt

LENA MOSES-SCHMITT
I think sometimes movement can be used to show how thought is made manifest outside the body. And also just more generally: when you leave the house, when you are walking, your thoughts change because your environment changes, and your body is changing. Moving is a way of your consciousness interacting with the world.

Long wooden table with chairs. Plants in the background.

Four Ways of Setting the Table

CLARA CHIU
We are holding the edges of the fabric, / throwing the center into the air. / & even in dusk this cloth / billowing over our heads / makes a souvenir of home: / mother & child in snowglobe. / Yet we are warm here, beneath / this dome, & what light slips through / drapes the dining room white.