The mansion where Gone with the Wind was written sits up on blocks like a trailer, underpinnings exposed, like a trailer, trucked down a road, relocated from one county to another that also can’t afford its restoration,
a green curtain of vines drawing over the decay. What should stay?
If not for the lust of women, there would be no alphabet. Save for the breaking of traffic rules, there would be no Cubism; no fractured light scrutinized from subways or kaleidoscopes in the tool belts of surveyors.
The royal palms bathe in the soft warm air of February and everywhere I look there is the play of glittering afternoon light—on store windows and metal bistro tables, on the well-polished always white Mercedes and Lexuses, on the sorbet pinks and oranges and lime greens of faux-Spanish buildings. The most ordinary things here seem
So much for the wound in me seeking a piebald answer in the tulip’s streak cataracted by first frost, the blue jay flapping across the grass, one-winged, his flying this crawl through blades he hues, tenor and vehicle this bird and me, both of us trying to accept such ritual exchange.
On the night Billy Ray was born
(New York, 28th and 7th)
not one soul contemplated the geraniums
There was, however, the sound of the world falling
like multiple stalactites
in the area surrounding the hospital