On Wariness

By MYRONN HARDY

I’m afraid of your elation.
The way you arrive masked.
The way the mask is removed

outside of the airport.
In that big city of lanterns     someone
knows your teeth.  Someone

knows the way you dance     your
rosemary     lime smell.
There is rhythm in the jumble.

There is rhythm on the pavement.
There is rhythm in small
apartment rooms.

I’m over slicing tomatoes.
I’m over drinking wine.
I’m performing as not to be

deformed     as not
to show what I shouldn’t.
I don’t want to feel everything.

I don’t want to know this distance.
The way it throttles.
The way it renders night

in me     a dreadful stillness.
I don’t want to be still.
I don’t want to be dream.

I don’t want to float among scorching orbs.
I don’t want to feed
the gulls what I know.

 

Myronn Hardy is the author of, most recently, Radioactive Starlings. Aurora Americana is forthcoming this fall. His poems have appeared in The New York Times Magazine, Ploughshares, Poetry, The Georgia Review, The Baffler, and elsewhere. He lives in Maine.

[Purchase Issue 25 here]

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

On Wariness

Related Posts

Image of a tomato seedling

Talks with the Besieged: Documentary Poetry from Occupied Ukraine  

ALEX AVERBUCH
Russians are already in Starobilsk / what nonsense / Dmytrovka and Zhukivka – who is there? / half a hundred bears went past in the / direction of Oleksiivka / write more clearly / what’s the situation in Novoaidar? / the bridge by café Natalie got blown up / according to unconfirmed reports

A Tour of America

MORIEL ROTHMAN-ZECHER
This afternoon I am well, thank you. / Walking down Main Street in Danville, KY. / The heavy wind so sensuous. / Last night I fell- / ated four different men back in / Philadelphia season lush and slippery / with time and leaves. / Keep your eyes to yourself, yid. / As a kid, I pledged only to engage / in onanism on special holidays.

cover for "True Mistakes" by Lena Moses-Schmitt

Giving the Poem a Body: Megan Pinto interviews Lena Moses-Schmitt

LENA MOSES-SCHMITT
I think sometimes movement can be used to show how thought is made manifest outside the body. And also just more generally: when you leave the house, when you are walking, your thoughts change because your environment changes, and your body is changing. Moving is a way of your consciousness interacting with the world.