After the Storm / Después de la Tormenta

By MARA PASTOR
Translated by MARÍA JOSÉ GIMÉNEZ

Dozens of cars
wait in line
for a little fuel.

At the gas station
they’re waiting for a ladder
that leads to a generator.

Faith is waiting
in this line
for the machine to work.

We want
a little fuel
to reach our village
and see if our house is still standing.

We want gas
as our honeymoon.

All verbal forms
are unlikely options.

What remains of the scenery
is people lined up
waiting
for a machine to work.

//

Decenas de carros
esperan en la fila
por un poco de combustible.

En la gasolinera
esperan por una escalera
que lleve a un generador.

La fe es esperar
en esta fila
a que la máquina funcione.

Nosotros queremos
un poco de combustible
para llegar a nuestro pueblo
y ver si nuestra casa sigue en pie.

Queremos gasolina
como luna de miel.

Todas las formas verbales
son opciones improbables.

Lo que queda de paisaje
es gente alineada
esperando
a que la máquina funcione.

Mara Pastor is a Puerto Rican poet. Her works include the translated chapbooks As Though the Wound Had Heard and Children of Another Hour, and, in Spanish, Sal de Magnesio, Arcadian Boutique, and Poemas para Fomentar el Turismo. She lives in Ponce, Puerto Rico. 

María José Giménez is a poet, translator, and editor who has received fellowships from the National Endowment for the Arts, the Banff International Literary Translation Centre, and the Katharine Bakeless Nason Endowment. Assistant translation editor of Anomaly, Giménez is the translator of Tilting at Mountains (Edurne Pasaban), Red, Yellow, Green (Alejandro Saravia), and As Though the Wound Had Heard (Mara Pastor). 

[Purchase Issue 16 here.]

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

After the Storm / Después de la Tormenta

Related Posts

Feltspade

ELIAS SADAQ
I serve out my conscription / sleep in a bunk bed / for four cold months / in the engineer regiment at Skive Garrison / in a room with three other men / I fuck the colonel / the only sign that time is passing / is a pile of snow outside the window / that grows smaller

Book cover of Fifty Mothers

Mother is a Kind of Holding: Jenny Qi interviews Preeti Vangani

PREETI VANGANI
With vignettes, I could plumb its narrative arc to become a force propelling the book forward. It also felt haunting yet warm that the mothers kept reappearing throughout the life of this grief. That repetition created a chorus of voices that angers and despairs, yet cradles the speaker.

May 2026 Poetry Feature: Arielle Hebert, from Bottom Feeders

ARIELLE HEBERT
Home again at the water’s edge, / palms dancing in salt breeze. / I take a too-deep breath / and the air prickles my lungs / like an unfiltered cigarette. / Only the tourists are swimming, / coughing through the algal bloom, / eyes bloodshot and skin burning.