Emily Everett

FAQ: Weekly Writes Accountable You

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Accountable You Questions


Q: What makes this program different than past Weekly Writes volumes?

A: Weekly Writes Accountable You includes an additional focus on committing to a regular writing practice. You’ll see this reflected in editor Q&As and advice, but the largest difference is that you’ll be asked to upload one page a week to show that you’ve worked on a prompt. This is not a submission to the magazine, and these assignments will not be read or receive any feedback. To recognize your hard work and commitment, you will receive a short note of encouragement after uploading your piece!


Q: Do I send in my weekly writing for you to read? Will I get editorial feedback on my weekly writing?

A: You will be asked to upload one page a week to show that you’ve worked on at least one prompt. This is not a submission to the magazine, and these assignments will not be read or receive any feedback.

 

General Program Questions

Q: I didn’t participate in Weekly Writes Vol. 1, 2, 3, or 4. Can I still sign up for Vol. 5?

A: Absolutely! Our program doesn’t build upon or rely on experience with earlier volumes of the program. Prompts are designed for both beginner and advanced writers.


Q: I already did Weekly Writes Vol. 1, 2, 3, or 4. Is this the same thing?

A: Vol. 5 includes all brand new prompts and editor advice. 


Q: What if I’m busy and can’t work on the week’s prompts? Will they expire?

A: No. While we hope that writing every week is part of your program experience, we understand that life gets in the way. The prompts are yours to download and keep, so you can start writing whenever you have time.

FAQ: Weekly Writes Accountable You
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Weekly Writes Vol. 5: Accountable You

typing on a laptop

Weekly Writes is a ten-week program designed to help you create original place-based writing, beginning January 25.

We’re offering both poetry AND prose, in two separate programs. What do you want to prioritize in 2021? Pick the program, sharpen your pencils, and get ready for a weekly dose of writing inspiration (and accountability) in your inbox!

Weekly Writes Vol. 5: Accountable You
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Podcast: Omer Friedlander on “Operation Tamar”

Writer Omer Friedlander speaks to managing editor Emily Everett about his story “Operation Tamar,” which appears in Issue 19 of The Common magazine. “Operation Tamar” is set in Israel, where Friedlander grew up. In this conversation, Friedlander talks about the setting and inspiration for this story and others, and the editing and revision that went into “Operation Tamar” before publication. He also discusses his current projects, a novel and a short story collection recently sold to Random House for publication.

Omer Friedlander plus Issue 19 cover

Podcast: Omer Friedlander on “Operation Tamar”
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Podcast: Tara Skurtu on “Offering”

Tara Skurtu is an American poet and writer, writing coach, and public speaker. She speaks to managing editor Emily Everett about “Offering,” her poem from Issue 19 of The Common magazine. “Offering,” and many more of Skurtu’s poems, are set in Bucharest, Romania, where the poet has lived for several years. Skurtu discusses the inspiration and process behind the poem, her thoughts on teaching creative writing, and her time studying with poet Louise Glück. This conversation also includes the story behind the International Poetry Circle, an online poetry-reading initiative Skurtu started on Twitter in the early days of the pandemic.

Tara Skurtu plus Issue 19 cover

Podcast: Tara Skurtu on “Offering”
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Podcast: David Moloney on “Counsel”

Writer David Moloney speaks to managing editor Emily Everett about his story “Counsel,” which appears in Issue 19 of The Common. “Counsel” is an excerpt from Moloney’s novel-in-stories, Barker House, set in a correctional facility in New Hampshire. The book follows nine correctional officers over the course of one year on the job. Moloney discusses his own experiences as a correctional officer in a New Hampshire facility, and the work of turning those complex experiences into stories for the novel. Barker House was published by Bloomsbury in April 2020, so this conversation also includes discussion of what it’s like to publish during a pandemic.

David Moloney, Issue 19

Podcast: David Moloney on “Counsel”
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All the Ways to Experience Issue 20

 

Issue 20 is here at last! Issue 20 cover with 10 year logo


Click here to purchase your print or digital copy, starting at just $7.

Click here to browse the Table of Contents, including online exclusives.

Love Issue 20’s portfolio of writing from the Lusosphere? Donate to support The Common’s mission to feature new and underrepresented voices from around the world.

Interested in teaching Issue 20 in your class? Click here to explore your options and resources.

 

All the Ways to Experience Issue 20
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Issue 20, Fall 2020: 10 Years of The Common

Issue 20 cover with cake

Issue 20 of The Common will be here this fall. Subscribe by September 30 to find this hot pink celebration in your mailbox! In addition to the global, place-based stories, essays, and poems you’re used to reading in The Common, this issue also includes a portfolio of writing from and about the Lusosphere: Portugal’s colonial and linguistic diaspora. You’ll find works in English and in translation, and explore Lisbon, Angola, Brazil, Cape Verde, Mozambique, and even Luso-American families and communities here in the States. 1 year subscriptions start at $12.

Subscribe now, so you can have your cake and eat it too!

Issue 20, Fall 2020: 10 Years of The Common
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August 2020 Poetry Feature: Raisa Tolchinsky

Poems by RAISA TOLCHINSKY

ON BOXING:

Table of Contents

  • A Note by the Poet
  • Circling the Ring
  • Below the Belt

After training for multiple years with womxn boxers who had the Olympics on their minds, I began to grapple with the dynamics of control I observed within the spaces I encountered. These poems are from a longer series which ask: what does it mean to be a womxn fighter (both inside and outside of the ring) in a world still dominated by men? In what ways is the ring an escape or subversion of the power dynamics encountered outside of it, and in what ways does the ring reinforce or sanction manipulation, harassment, and abuse? Both of these persona poems are composite portraits, representative of the osmosis between bodies and narratives that occurs among close training partners. Though I didn’t have what it took to pursue a fighting career, these poems are a way of writing into the imagined life where I became a boxer instead of a poet & scholar. Through this work I am also asking: how does the poem function as a body? How does the page function as a ring? 

—Raisa Tolchinsky

August 2020 Poetry Feature: Raisa Tolchinsky
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