Sarah Wu

New Poems from YOU ARE HERE, edited by Ada Limón

April 1, 2024 Poetry

By ADAM CLAY, KHADIJAH QUEEN, ROGER REEVES, ANALICIA SOTELO, and RIGOBERTO GONZÁLEZ

To kick off Poetry Month we’re bringing you selections from Poet Laureate Ada Limón’s new anthology, You Are Here, out this month from Milkweed Editions.

As part of her signature project, “You Are Here,” 24th US Poet Laureate Ada Limón has commissioned fifty-two contemporary American poets to observe and reflect on their place in the natural world. The resulting anthology of original poems is a timely portrait of the myriad ways the natural world speaks to us and reflects us. Some of the poems included here contend with the destruction of nature, while others consider its abundance and resilience—and some do both at the same time. While these poems emerge from deeply personal perspectives, together they reveal that nature, like poetry, is universal—and that our interpretations of the natural world are grounded in the nature of our humanity. They also serve as a call for readers to take in the nature all around them, wherever they are.

(from the Foreword to You Are Here, by Carla Hayden, Librarian of Congress)

Podcast: Nayereh Doosti on “The Little One”

March 1, 2024 Podcast, Podcasts & Audio

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Transcript: Nayereh Doosti

Nayereh Doosti speaks to managing editor Emily Everett about her story “The Little One,” which appears in The Common’s most recent issue. Nayereh talks about the many inspirations behind this story, which follows an older Iranian man coming to America, where he feels out of place with his family members, the community, and the younger generations. Nayereh also discusses her time as an intern at The Common, her MFA program at BU, and her brand new Persian translation of Aleksandar Hemon’s The Book of my Lives, out now in Tehran.

Nayereh Doosti is an Iranian writer and translator based in Berkeley, California. Her writing has appeared or is forthcoming in Epiphany Magazine, The Massachusetts Review, and Nowruz Journal, among others. She holds an MFA from Boston University, and is a former intern at The Common.

Read Nayereh’s story “The Little One” in The Common at thecommonoline.org/the-little-one.

The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.

Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.

February 2024 Poetry Feature

February 29, 2024 Poetry

New poems by our contributors CORTNEY LAMAR CHARLESTON, OLENA JENNINGS, MEGHAN MCCLURE, and JONATHAN FINK

Table of Contents:

Cortney Lamar Charleston, “It’s Important I Remember That Fascism Didn’t Come to America, It Was Already Here—”
Olena Jennings, “Jane Runs, Sirko Sleeps”
Meghan McClure, “Cut Through the Center”
Jonathan Fink, “Proxima Centauri”

Join us for the 2024 Festival of Debut Authors!

February 23, 2024 News and Events

Join The Common‘s team on March 27th at 7pm EDT for our 2024 Festival of Debut Authors, an evening devoted to emerging talents! This free virtual celebration will highlight poets and prose writers Felice Belle, Jordan Escobar, Irina Hrinoschi, amika elfendi, Nina Perrotta, and Shanna Tan.

The Festival of Debut Authors is an annual Zoom celebration of emerging authors who’ve published in The Common. Previous awardees Jennifer Shyue and Farah Ali will host the evening of featured readings by some of The Common’s most dynamic emerging writers. Come to discover fresh voices and support the magazine’s mission to publish and pay emerging writers.

This year, we’ll be doing some fun prize draws too! At the event, we will draw 3 names from the audience for an open mic. If you opt in, and your name is drawn, you can join our authors and read from any work, published or unpublished, for up to 3 minutes. We will also draw 2 lucky winners to receive a hardback copy of Shanna Tan’s new translation, Welcome to the Hyunam-dong Bookshop, courtesy of Bloomsbury Publishing!

Register for the free event to receive a Zoom link!

REGISTER HERE

Ship Happens

February 21, 2024 Dispatches

By ELLIOT RAPPAPORT

the image of an ocean with an orange sunset in the background

At Sea

Each summer the cadets of Maine Maritime Academy put to sea with a crew of instructors aboard their eponymous training ship, State of Maine. Here, like medical students at a teaching hospital, they set about practicing the skills of their aspirational careers on a live patient—navigating, steering, chipping paint, avoiding collisions, and tending to a diesel plant whose thundering mass fills a room large enough for basketball. Everything is big on a ship like this, which sleeps 350 people and needs 30 feet of ocean just to stay afloat. In tanks below the living spaces there are 3,300 long tons of fuel and 770 tons of potable water. The anchors weigh 5 tons each, set out on chains with links fourteen inches across. An old Navy ship built for speed, not baggage, the State of Maine is slim and pointy at her ends, like a canoe. In a calm sea she moves with almost no feeling of displacement, just a low white-noise rumble of engines and the shoosh of water sliding by.

Review: American Gospel

February 5, 2024 Reviews

By MIAH JEFFRA
Review by YELENA FURMAN

The city as a character in its own right is a frequent device in otherwise disparate novels. In Jeanette Winterson’s The Passion (1987), a water-shimmering, pleasure-seeking Venice forms the fabric of the female protagonist’s life. Andrei Bely’s modernist tour-de-force Petersburg (1916), following a long tradition in Russian literature, portrays this city as both the site and driver of the action. For the navel-gazing narrator of Marcel Proust’s In Search of Lost Time (1913-1927), Paris and other locations in France are integral sources of his copious memories. The commonality among such city-infused works is the reputation of said cities: world-renowned and possessed of their own symbolic capital and literary mythology. The associations are not always positive—writers often portray big cities as dirty, oppressive, even demonic—but the cities historically portrayed in literature are famed embodiments of grandeur and stature.

Podcast: Leo Ríos on “Lencho”

January 26, 2024 Podcast, Podcasts & Audio

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Transcript: Leo Ríos

Leo Ríos speaks to managing editor Emily Everett about his story “Lencho,” which appears in The Common’s most recent issue, in a portfolio from the immigrant farmworker community. Leo talks about the process of writing and revising this story, which explores the friendship between two high school seniors in a rural community in California’s Central Valley. Leo also discusses his family’s generations-long history in farm labor, and how a class on reading poetry made him rethink prose writing on the sentence level.

An Ode to I-5

January 24, 2024 Dispatches

By JANICE LOBO SAPIGAO

I-5, California

I’ve driven up and down California via the Interstate-5 freeway countless times. There are many ways to find a way through its veins, but I am mostly familiar with the drive between the San Francisco Bay Area and Los Angeles or San Diego. I’ve lived a lot of life in and between these three major cities in California, and even at age 36, I am still learning to appreciate the distance between NorCal and SoCal, as well as the static landscapes that I have spent hours gazing at intently.

Nothing You Expect: Joseph O. Legaspi Interviews January Gill O’Neil

January 8, 2024 Interviews

JANUARY GILL O’NEIL and JOSEPH O. LEGASPI have been friends for almost three decades, since the mid-90s, when they met at orientation in the beat-up lounge of New York University’s creative writing program. The two simply hit it off, bonded over brie, and shared poetics, both starry-eyed on their first venture into New York City.

January is the author of the newly minted collection, Glitter Road, her fourth book published by CavanKerry Press. Her previous titles are Underlife, Misery Islands and Rewilding. She is associate professor at Salem State University and currently serves as board chair of the Association of Writers and Writing Programs (AWP). The interview was conducted over Zoom in December 2023. Full transparency: Joseph traveled to visit January outside of Boston for a weekend in September, braving a storm that drenched New York City, and arriving three hours late. But instead of “getting to work,” they hung out as good friends do and enjoyed each other’s company, relishing in nourishment, and sustenance.

Puppets

January 4, 2024 Fiction, Translation

By MANISHA KULSHRESHTHA
Translated by CHINMAY RASTOGI

Piece appears below in both English and the original Hindi.

Translator’s Note

Hindi is comprised of words from a variety of regional languages of India and has various dialects. The way people speak it changes almost every hundred kilometers, with the language taking on a new garb and flavor, just like the clothes and food of the people who speak it. What delighted me about this story was the place it is set in and the dialect of the characters. It’s not common to come across literature set in the remote areas of Rajasthan, full of Marwari words (the primary language of the people of the state). As someone who spent most of his life in this state, I was even more invested to present the dialect, life, and customs of the communities.

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