If not for the lust of women, there would be no alphabet.
Save for the breaking of traffic rules, there would be
no Cubism; no fractured light scrutinized from subways
or kaleidoscopes in the tool belts of surveyors.
By IAIN TWIDDY
As if he was pelting for a winter,
his hair returning, the closer he gets,
to that flossy, watchful, infant softness,
like the idea of an angel’s wing;
The royal palms bathe in the soft warm air
of February and everywhere I look there is the play
of glittering afternoon light—on store windows
and metal bistro tables, on the well-polished
always white Mercedes and Lexuses, on the sorbet
pinks and oranges and lime greens of faux-Spanish
buildings. The most ordinary things here seem
By PETER COOLEY
So much for the wound in me
seeking a piebald answer
in the tulip’s streak cataracted by first frost,
the blue jay flapping across the grass,
one-winged, his flying
this crawl through blades he hues,
tenor and vehicle this bird and me,
both of us trying to accept
such ritual exchange.
The apricot tree in my childhood yard would sieve the night. Pouring through the openwork of the leaves, the moonlight littered the ground with patches shaped like bats. Because we lived in the Sunset District of San Francisco, sea drafts kept ruffling the leaves, so the bats were always fluttering their wings. Sometimes I would lie down and let the light-bats tap all over me. We lived in the bottom flat of a spindly three-story house, and there was a fig tree too, and blackberries on brambles thick as the Lord’s crown of thorns, right in the heart of the city. We had picnics with the queijadas my father made—the coconut tarts that were a specialty of his family’s bakery on the island of Terceira in the Azores. His job while raising me, his only child, was fulfilling dessert orders for restaurants, and he rented a tiny industrial kitchen in Chinatown from three to nine in the morning. Once, a triumph, the Tadich Grill requested his alfenim to decorate their pastry cart—the white sugar confection molded into doves or miniature baskets.
By BRUCE SNIDER
Over a hundred men suspected of being gay are being abducted, tortured and even killed in the southern Russian republic of Chechnya…
—CNN
Looking out at the blue sky
we listen to news
of men in Chechnya. Touching
counters, our washrags move like ghosts.
You sweep the kitchen. I tend the cry
of the washing machine, the low roof
that is our only roof.
By JOAQUIM ARENA
Translated by JETHRO SOUTAR
And then, as is its wont, death comes knocking at the door. This time from two thousand miles away.
I try to get the image I have of him in my head to focus. The man who tried to be my father for over thirty years. Officially, not biologically, and not anymore. A death that will nevertheless force me home, back to Lisbon, just when I thought I’d found my place on this dry and sleepy island.
By TEOLINDA GERSÃO
Translated by MARGARET JULL COSTA
The reason I first donated sperm wasn’t to fill the world with my children, but to get money to buy a new skateboard and go to the movies more often. I didn’t think it would change me.
By LATOYA FAULK
When we identify respect (coming from the root word meaning “to look at”) as one of the dimensions of love, then it becomes clear that looking at ourselves and others means seeing the depths of who we are. Looking into the depths, we often come face-to-face with emotional trauma and woundedness. Throughout our history, African Americans have pounded energy into the struggle to achieve material well-being and status, in part to deny the impact of emotional woundedness. Truthfully, it is easier to acquire material comfort than to acquire love.
—From Salvation: Black People and Love, by bell hooks
Home is not just a house; it’s this yearning for a place where you’re safe, [a place where] nobody’s going to hurt you.
—Toni Morrison, in conversation with Claudia Brodsky at Cornell University on March 7, 2013
By KC TROMMER
Louise Bourgeois, MASS MoCA
Inside the bounded mercury,
we keep going. All circuits that close
make serpents of us, constrict
and envelop every tender corner until
only a small portion
is distinct, our feet dangling like the end of a
sentence. We suspend ourselves
in a room full of light but take none in.