In “A View from the Cheap Seats”, Elizabeth Byrne talks sports; in the aftermath of Hurricane Sandy, Hannah Gersen reflects on the transience of place, asking, “Is Geography Destiny?”
Photo from The Library of Congress
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On Drowning
LONNIE LARSEN
On a Pacific Northwest wild-fire summer evening, Emmett and I drive the babysitter while the edges of the world burn. She’s chatty and optimistic about fall classes, but I’m distracted by the sun, which is Crayola-Orange, perfect circle, unnatural and eerie.
Jamali Kamali Airborne in History
KAREN CHASE
Opening oneself to the unknown paves the way for a large exploration rather than the up-close details of “what I know.” The unknown is a wider plain—a big, flat, open space where options abound. The endless screen makes possible a roomier grasp of universals.
Review: SAINT OMER
HANNAH GERSEN
The film’s dual focus—on both Rama, the writer, and Laurence, the young woman accused of infanticide—turns the trial into something other than pure spectacle and results in a story that looks closely at the frighteningly powerful bond between mother and child.
