Dispatches

Into the Woods

By ANNE P. BEATTY

person with an orange bag walking through the dirt paths in a sun-spotted forest

Stone Mountain, North Carolina

A mile into the woods, I am always slightly afraid. Fear’s lace knots the cuff of an otherwise lovely afternoon. Nights, when I peek out of the tent, the moon is a bright friend too far away to help.

Into the Woods
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Two Poems by Michael Mercurio

By MICHAEL MERCURIO

 

Trees and Field

Providence, RI

Existential Field Notes: Diner

            If secrets are transmitted here
            no neon will say, just the same
            on-unless-it’s-off messages of
            abundance. Bottomless coffee,
            sure, and five pages of menu —

Two Poems by Michael Mercurio
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Four Country Sonnets (with Attachments)

By G.G. HARROW

Image of the Cumberland Gap Tunnel

Eastern Kentucky

After Terrance Hayes and Wanda Coleman


Attachment 1

country music is Black — indigenous — immigrant — almost successfully paved over — i made these poems from 36 common words in top-selling country songs since the ’90s according to a concert ticket corporation

Four Country Sonnets (with Attachments)
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Wonder

By DARLENE WEST

A black bear faces the camera close-up and head-on. Its eyes glow white. The image was taken in black-and-white night vision. The frame indicates that it was captured at 12:34 AM on September 26, 2019. The upper-right corner indicates the temperature and moon phase.

British Columbia, Canada     

In the mornings, I like to follow our border collie on his nose-to-the-ground rounds: out to the creek at the edge of our land; up to the vegetable garden near the foothills; across the back yard. Sometimes, the hair on the back of his neck stands up.  

Our farm land in southern British Columbia borders a mountainous wilderness. My husband and I find curiosities on our property all the time: peaches picked from our trees; tunnels under our fences; grape cluster stems, cleaned of berries. Now and then, feeding our fascination with the unknown: strips of grass, chiseled out of the lawn, coiled like jelly rolls. What roams around here at night after we turn out the lights? 

Wonder
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Slaughterhouse-Vibe

By LISA ROSENBERG

 

an image of a woman among old artifacts. the woman's back is to the photographer and she is facing the open door

 

Hydra, Greece

There are no streetlights between the old slaughterhouse and the edge of town. The road that links them feels longer than its few hundred barren meters, proceeding above a rocky slope that ends in channel water—the former landing place of blood and entrails, arriving by chute while dogfish gathered. Six nights per week, a young woman makes her way along this route, tiny phone-light in hand, walking toward the main village on the Greek island of Hydra. Her name is Marina. I’ve known her since she was a child.

Slaughterhouse-Vibe
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Still Life 3: The Suburbs

By KELLY McMASTERS 

A child in a car seat through the car window
Long Island, NY

Interior of a silver Volvo wagon, back door pockets stuffed with Candy Ring wrappers, pencils, and rocks; I am looking in the rear-view mirror or over my right shoulder into the backseat, my left hand on the wheel, right hand on the seat back next to me. Two small boys, both with eyes the exact color as my own, stare back at me, pleading or explaining or demanding or questioning or laughing or crying or sulking or fighting or trying to hide. The car smells vaguely Cheerio-like. No matter the music, the soundtrack is chatter and the rhythmic kicking of a seat back. They also like punching each other’s seat warmer buttons with their feet to be annoying.

Still Life 3: The Suburbs
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Fowl Play

By CYNTHIA GRAAE

Picture of chickens in a farm

Eastern Shore, Maryland

My late husband was a man who invented facts. He was Danish by birth, and at a dinner party he mentioned that aardvark was Danish for hard work. “Copenhagen households keep them to clean the floors,” he said. Our otherwise intelligent friends, who hadn’t been to Denmark, believed him.

Fowl Play
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Two Poems by Elaine Reardon

By ELAINE REARDON

Kharpert rooftops, Ottoman Empire, c. 1910s

Kharpert rooftops, Ottoman Empire, c. 1910s. Photo by unidentified photographer, copied by K.S. Melikian of Worcester, MA.
Project SAVE Photograph Archive. Courtesy of Arra S. Avakian

 

Kharpert

Stories

When I woke in the morning
and begged for stories, Gram said
don’t talk too much, flies
will get into your mouth.
I still wanted a story.
She’d say later, after our work.

She tied an apron around me,
pulled the stool to the table,
gave me parsley, cracked wheat,
ground lamb, and my own basin
of water to wet my hands
as we worked together.

Two Poems by Elaine Reardon
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