Fiction

A Slippery Coffin

By AHMED SHEKAY
Translated by ADDIE LEAK

I hear a sound at my apartment door, and I just know it’s her. I follow her down the stairs. As I put my left foot onto the first step, I see the tips of her curls as she rounds the bend and, a moment later, glimpse her sneakered left foot as she takes her final step between the stairs and the exit. Then she’s swallowed up by the trees in the Ostpark. I tell myself, Good for Ababa, getting some morning exercise, and run after her, looking for her among the trees and in the forms of the other people out jogging. Every time I see a thick derrière, I’m sure it’s her and no one else, but when I get close, they start looking nervous, fear visible in their eyes, and jump out of my path. It takes me a full hour of looking to figure out why they’re acting this way, at which point, I’ve almost frozen from the cold. My breath has left frost on the tip of my nose, my tongue is parched, and I begin to cough violently. But I have absolute faith that she knocked on my apartment door and then ran away: Who else would do that? She’s the only visitor I’ve been wanting.

A Slippery Coffin
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Human Trees Are Not Moved by Wind

By ADAM YOUSSOUF
Translated by ADDIE LEAK

 

The Mango Garden

Birds of prey circled in the distant sky, watching the Earth’s surface: nothing, just warm air and a hot sun that spilled its rays angrily, recklessly. Sando jumped over a stream of dirty water and walked briskly down the road until he saw a group of young boys squatting on the road, defecating on piles of filth. He paid them no heed and continued a bit farther, where he saw another group playing football, bathed in thick dust, creating a commotion as they ran after their small ball. They yelled excitedly, calling each other after famous footballers, bellowing frenzied orders and laughing. One boy whimpered over his scraped knees, and others stood outside the circle, cheering and whispering.

Human Trees Are Not Moved by Wind
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Patron Saints

By KEVIN DEAN

Part One

It was winter by the time Mina and I met. I was on my usual afternoon stroll in Garden City when I saw him coming toward me by the United States embassy. He went slowly along the compound’s perimeter wall, his hands in the pockets of his brown leather jacket. I’d just purchased some oranges from a fruit seller on the street, and I took one and began to peel it. Mina didn’t look happy, and I was unsure if I should say hello to him or not.

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Excerpts From Great-Grandfather Hage’s Biography

By ABU BAKR KAHAL

The Falling Sun

Great-Grandfather’s name is Hage, which means “revered and noble,” though to some it means “loquacious,” while others deny all definitions and emphasize that the name means “he who imitates the sun or its likeness.”

“At that time, people thought the sun had fallen to Earth. ‘De K’al… De K’al… De K’al… The sun has fallen… The sun has fallen… The sun has fallen…’ they screamed.” That’s how the story was told by our great-grandfather—he who knew all the secrets of the past and how it was. It was known that he had memorized everything that storytellers told about those distant eras and their events.

Excerpts From Great-Grandfather Hage’s Biography
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Zero

By STELLA GAITANO
Translated by SAWAD HUSSAIN

I am completely alone, even though I’m not by myself. Here, filthy chickens scratch at the earth around me in search of worms and kernels. Next to me sits a pile of tatty newspapers—old news that I chew over when I’m beset with a yearning to read. I also keep a lot of family photos. Pictures of my children at different ages, from birthdays and other occasions, as well as pictures of work colleagues. Life that we have lived, frozen on these rectangles of stiff paper; how quickly we are ushered into the past by just glancing at one.

Zero
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Dark Vader

By ANNELL LÓPEZ

“Dark Vader” is excerpted from Annell López’s I’ll Give You a Reason, out now from Feminist Press.

cover of i'll give you a reason. dark blue cover, with a toolbox that contains a drawing of a city landscape inside

 

I was registering for the GED when Junie stormed into the house, slamming the door behind her. Her heavy Princess and the Frog backpack fell off her shoulder; the drop made the hardwood floors of our walk-up tremble.

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A Good Girl in the People’s Republic

By LEI HU

A Good Girl

When she stepped outside and closed the door, the iron handle was so cold, it felt like it was burning. With the basket on her arm, Fu Rong slipped her hands into a pair of cotton mittens her mother had made. She knew she would warm up once she started walking. The stone lane in the village was slippery with ice; someone must have spilled water carrying it from the village well to their house. She slowed down and kept her pace steady, leaving the village behind her.

A Good Girl in the People’s Republic
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Kidnapped

By AINUR KARIM

Translated from the Russian by SLAVA FAYBYSH

 

Piece appears below in both English and the original Russian.

A rectangular, beige apartment building squats under an overcast sky. Dead branches and leaves crowd the foreground.

A typical apartment building in a residential area of Almaty.

Translator’s Note

There are probably many reasons why people in the West don’t know much about Qazaqstan. Not only do we not know much, but the little we do know is probably all wrong, as much of what we’ve heard is skewed by who told the story. Most people in the U.S. have never read a short story or seen a play or movie written by someone from Qazaqstan (not much is available, frankly). That’s why it was such a delight to be able to translate this excerpt from Ainur’s as yet unfinished novel.

I also imagine that many readers may not be aware of the existence of bride kidnapping, so my hope is that “Kidnapped” will not only introduce something new, but it will demystify the custom from the beginning. I myself did not know anything about this cultural practice until I sat down to translate the story. And now, being a translator means I get to share it with others. Bride kidnapping has been on the rise in Qazaqstan since the breakup of the Soviet Union. Having said that, Ainur made clear to me that the way it works in the real world varies, and it often doesn’t look quite like it does here.

—Slava Faybysh

Kidnapped
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Immersion

By DREW CALVERT

The summer after her senior year, Naomi flew to Indonesia with nineteen other Americans and signed a pledge to immerse herself in Bahasa for three months. She stayed in Malang, a city known for its temperate climate and waterfalls, and spent each day at the local college, learning to speak and read and write, piecing together the world again molecule by molecule. It felt like a second childhood, or like being reincarnated. Mountain was gunung. Friend was teman.

Jangan malu, her tutor would say, when Naomi hesitated. Jangan malu. Don’t be shy. In the evenings, she sent emails to her soon-to-be-ex-boyfriend, who was doing a summer internship at a law firm in Houston. He seemed to require a full legal brief explaining his wrongness for her. Apart from that, she was immersed.

Immersion
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Translation: Master of the House

By AHMET HAMDI TANPİNAR
Translated by AYSEL K. BASCI

Piece appears below in English and the original Turkish.

 

Translator’s Note:

Ahmet Hamdi Tanpınar (1901–1962), a renowned 20th-century Turkish author, poet, essayist, intellectual, and educator, wrote two of the finest works in modern Turkish literature: The Time Regulation Institute and A Mind at Peace. In fellow Turkish author Orhan Pamuk’s 2006 Nobel Literature Prize acceptance speech, he thanked Tanpınar for his considerable influence and inspiration as a literary icon. 

Translation: Master of the House
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