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The Fields of 1936

November 6, 2023 Farmworker, Fiction, Issue 26, Issue 26 Fiction

This piece is an excerpt from The Cemetery Boys, a novel in progress.

Sunday had arrived—Six days shalt thou labor, and do all thy work; but the seventh day is a Sabbath unto the Lord thy God—and brought with it a strong exhale that breezed over various labor camp sites of the San Joaquin Valley. Resourceful worshipers set up sanctified spaces and stretched borrowed tarps between sun-scorched oaks to contain the cool shade. The ground was covered in the white grime of harvest dust. The traveling priest presided in front of his truck’s flatbed, renovated to serve as an altar for Catholics, but for anyone, really, who had a righteous belief in divine intervention, joyous faith in a higher power.

The Last Day of February

November 6, 2023 Issue 26, Issue 26 Poetry, Poetry

By DAVID LEHMAN

The month, shortest of the year, least popular, ends,
and on the radio there’s “Midnight Sun,” a concept
worthy of a Ramos Gin Fizz, if you have the ingredients,

Ballad for the One Who Never Went to Iowa

November 6, 2023 Farmworker, Issue 26, Issue 26 Poetry, Poetry

By JULIÁN DAVID BAÑUELOS

After Rafael Alberti

I noticed the canas sprouting from her scalp, I noticed the sky,
I noticed the engines hum, I noticed my heartbeat, and the breeze.
Nunca fui a Iowa.

My mother tells me I gave her canas, and now I have my own.
Mi bisabuela worked los campos, says she was once Iowan
Nunca vi Iowa.

Introducing the David Applefield ’78 Fellowship

November 6, 2023 Essays, Issue 26, Issue 26 Essays

By SAM SPRATFORD

Before I learned about his utopian philosophy of expat writing or his scrappy resistance to publishing-market forces, I knew David Applefield as the marketer of the HAPPY CAP—the world’s first mess-free way to cover a toothpaste tube. This was, of course, completely by chance.

I was thumbing through his papers in the Amherst College archives as The Common’s inaugural holder of the David Applefield ’78 Fellowship, an Amherst College student internship endowed in Applefield’s honor by his friends and family. Tucked among sheets of poetry, reviews of Applefield’s two novels, and other literary artifacts, I was surprised to find a series of letters typed on the official stationery of “A.R.A. Industries.”

Antiphon

November 6, 2023 Issue 26, Issue 26 Poetry, Poetry

By VIRGINIA KONCHAN

I cannot remember a time when I was not chosen last.
That and the great, timeless subjects: music, weather, war.
Wounds are openings through which presence shines through.
The child in the doll, Christ in the wafer, the ocean in a droplet.

A Cowboy on Eighteen Wheels

November 6, 2023 Essays, Farmworker, Issue 26, Issue 26 Essays

By AIDEE GUZMAN

Cowboys aren’t remnants of the Wild West. Today they herd cattle across state lines, national borders, and now even oceans. From the feedlot to the slaughterhouse and from pasture to greener pasture, a cowboy’s travels feed the food industry machine.

Your modern cowboy sits on eighteen wheels with six hundred horsepower and saddles up truck stop to truck stop. They trot along the asphalt and follow the commands of reds, greens, and yellows.

Sonata

November 6, 2023 Issue 26, Issue 26 Poetry, Poetry

By VIRGINIA KONCHAN

This is a torn map of the forsaken world.
There are lines even wolves cannot cross.
Every voice an epitaph, then a little tune
from the neighbor’s garden apartment
suggesting a rondo, or circle of fifths.
Plato said the soul is a perfect circle.

On Wariness

May 8, 2023 Issue 25, Issue 25 Poetry, Poetry

By MYRONN HARDY

I’m afraid of your elation.
The way you arrive masked.
The way the mask is removed

The Library

May 8, 2023 Arabic Fiction, Fiction, Issue 25, Issue 25 Fiction, Issues, Kuwait, Translation

By NASSER AL-DHAFIRI
Translated from the Arabic by NASHWA NASRELDIN

When my friends and I left the homeland, my second departure from Kuwait, there were five of us and ten suitcases. I knew exactly what was in each bag, just as I knew the pain and angst of the five travelers heading toward the unknown. The suitcases were packed with clothes, kitchenware, Indian spices, and various items we didn’t think we’d be able to find abroad. I could only bring four books with me from my vast library back home: Al-Mutannabi, in two parts; the collected works of Mahmoud Darwish; and just one of the volumes of The Unique Necklace. These would constitute the entire library I would survive on, for however long I ended up living in estrangement. Once we’d settled into our accommodation in a small house on Norris Drive in Ottawa, I arranged the books on the sleek wooden flooring, the place being still unfurnished. Then I sat back and simply gazed at them.