No I do not want everlasting life
to be condemned to forever here
on this wasted earth no merci messieurs
unlike the Struldbruggs hailed all the way
from the island-nation of Luggnagg
discovered at the end of Book Three
of Jonathan Swift’s Gulliver’s Travels
By NED BALBO
Because I still remember my mother’s scar,
six inches long, an inch wide, sunken gash
below her waist, forever unexplained.
Because the scar looked rushed, a knife’s quick work
closed with no time to lose. Because, watching
her dress, I felt both love and mystery,
questions evaded, others left unasked.
our truck gathers speed as we approach the hills of el valle and for
a few seconds i am in flight we accelerate embark the horizon’s
I’ve always written my poems
on borrowed paper and borrowed time
In the camps, as a child, journaling
by the fire, by whatever light I could find.
What do you want for your birthday?
My mother asked, knowing she didn’t have a dime.
Notebooks, ’ama, paper, and a pen.
When you’re not packing cherries, you pass out crowns of Crossandra flowers
to every coworker who’s crossed a border.
You think of your father, when he said no to you moving to the city to study chemistry.
I’ve never admitted how it altered me.
I try not to think about it—the spring
the junior dropped out of school
after wearing a wire so the police could cuff
Mr. Cawley—led him out of the high school
down the long beige corridor of B-Hall
past the AP History class where I sat
with my textbook open to some European War,
trying not to think about my confusion
when I stood, the May before, in Mr. Cawley’s classroom,
as he held my book report on In Search of History.
The wish is always that we’d walk in,
Give each other bear hugs,
Tight and unencumbered,
Nothing of my body shameful,
That he’d cradle my face in his palms
And smile wide, in awe of who I’ve become,
That I’d go to him twice a year
To help me unknot something of my heart
When it broke.
By DAVID LEHMAN
The month, shortest of the year, least popular, ends,
and on the radio there’s “Midnight Sun,” a concept
worthy of a Ramos Gin Fizz, if you have the ingredients,
After Rafael Alberti
I noticed the canas sprouting from her scalp, I noticed the sky,
I noticed the engines hum, I noticed my heartbeat, and the breeze.
Nunca fui a Iowa.
My mother tells me I gave her canas, and now I have my own.
Mi bisabuela worked los campos, says she was once Iowan
Nunca vi Iowa.
I cannot remember a time when I was not chosen last.
That and the great, timeless subjects: music, weather, war.
Wounds are openings through which presence shines through.
The child in the doll, Christ in the wafer, the ocean in a droplet.
Don’t miss an issue! Subscribe to The Common.