I Want What Comes After

By KELWYN SOLE

I want what comes after:

the first lifted bucket’s clang

once the rooster’s all crowed out,

a keen thirst for fresh water

as sequel to that sound

 

your smell drying on my skin,

your fingers brushing briefly

against my stomach as you stir

awake from dozing: or, when

you’ve gone, an empty shape

left sprawled asleep within

the blankets on my bed.

I want what comes after:

the miraculous vigil of a moth

unburnt beside us in the sheets;

toast starting to brown, the nails

of a scabby cat across the floor,

conclaves of birds upon the eaves

 

the rustle of trees as they begin

to post their letters to the wind –

wind that’s strong enough to blow

off a roof of morning mist, a sky

like a field that begs a plough

emerging. And the two of us

looking outside to find the dawn

to which we’ll trust our bodies.

 

 

Kelwyn Sole is professor of English literature at the University of Cape Town and guest-editor for Issue 04.  

Photo by Zane Selvan, from Flickr Creative Commons

I Want What Comes After

Related Posts

Chair against the window

Susan

SARAH DUNPHY-LELII
I visit with a friend as she works to empty her mother’s house, who died just days before Christmas, and each object holds a tiny piece of Susan. I come away with several treasures lovely (a hand knitted scarf, a clay donkey to hold my garlic) and practical.

Mala Beads

MAW SHEIN WIN
When she wakes, I offer water. She sips from the glass. I ask if she needs more pillows behind her head. I look into her eyes and notice that she has deep blue lines that circle her almost black pupils. Why hadn’t I seen that before? I think of the nazars that I bought in Athens fifteen summers ago.

Shenyang: In Search of Reverse Donkeys

TONY HAO
They erased the city’s impoverished past but in no way offered an extravagant present available to everyone. I decided that even if I couldn’t find Shenyang’s past, at least I’d like to see a reverse donkey.