Matryoshka in Odessa

By DIANE THIEL 

When I started out, it was mostly about the adventure, 
following Ivan and the firebird, heading into history
across the Black Sea, climbing the Odessa steps
through the resistance, then the suppression
which fed yet another resistance, following 
Pushkin through the tangle of fairy tales 

and into the catacombs, thinking I knew 
something about where I was headed,
the mind that kind of puzzle box.
Inside any story is always a new 
layer waiting to be uncovered.

Once we open it, we find another inside.
As a child, I called them nesting dolls.
Sometimes they could all disappear 
one into another, like secrets, 

but they could also be opened, one 
by one, until I would get to
the story at the center, 

a seed so small it was 
easy to lose, the one 

that started it all.

 

Diane Thiel’twelfth book, Questions from Outer Space, appeared from Red Hen Press in 2022. Her work is anthologized widely, most recently in Best American Poetry 2023. A Regents’ Professor at UNM, she has received PEN, NEA, and Fulbright Awards. She has traveled the world with her young family. Visit DianeThiel.net.

[Purchase Issue 25 here.]

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Matryoshka in Odessa

Related Posts

A Tour of America

MORIEL ROTHMAN-ZECHER
This afternoon I am well, thank you. / Walking down Main Street in Danville, KY. / The heavy wind so sensuous. / Last night I fell- / ated four different men back in / Philadelphia season lush and slippery / with time and leaves. / Keep your eyes to yourself, yid. / As a kid, I pledged only to engage / in onanism on special holidays.

cover for "True Mistakes" by Lena Moses-Schmitt

Giving the Poem a Body: Megan Pinto interviews Lena Moses-Schmitt

LENA MOSES-SCHMITT
I think sometimes movement can be used to show how thought is made manifest outside the body. And also just more generally: when you leave the house, when you are walking, your thoughts change because your environment changes, and your body is changing. Moving is a way of your consciousness interacting with the world.

Long wooden table with chairs. Plants in the background.

Four Ways of Setting the Table

CLARA CHIU
We are holding the edges of the fabric, / throwing the center into the air. / & even in dusk this cloth / billowing over our heads / makes a souvenir of home: / mother & child in snowglobe. / Yet we are warm here, beneath / this dome, & what light slips through / drapes the dining room white.