O

By PETER FILKINS

As the deaf-mute grocery clerk

puckers curious to a chorus “O”

to ask what kind of mushrooms

he should be ringing up, I think

 

of Ortiz and last night’s double

sailing like a lit-up vowel

toward the bleachers in center-left,

the outfielder unsure if it might

 

carry The Monster or carom off

when, in fact, it hits the warning

track, goes dead, toppling the fielder

 

painfully into the dirt, Ortiz

on second, me mouthing “oyster”

to the reaches of the Mystic Big Y.

Peter Filkins is a poet and translator who teaches at Bard College at Simon’s Rock. His books include After Homer and The View We’re Granted.

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

O

Related Posts

Caribbean picture

Self-Portrait in The Caribbean

PAOLA ASSAD BARBARINO
Sometimes I am emboldened, / I decide to stand in the people’s balcony / I decide it is Maundy Thursday I decide to place a priest behind me that can speak to the people behind / my back / I decide to put out the fire and light my throat / scream

Feltspade

ELIAS SADAQ
I serve out my conscription / sleep in a bunk bed / for four cold months / in the engineer regiment at Skive Garrison / in a room with three other men / I fuck the colonel / the only sign that time is passing / is a pile of snow outside the window / that grows smaller

Book cover of Fifty Mothers

Mother is a Kind of Holding: Jenny Qi interviews Preeti Vangani

PREETI VANGANI
With vignettes, I could plumb its narrative arc to become a force propelling the book forward. It also felt haunting yet warm that the mothers kept reappearing throughout the life of this grief. That repetition created a chorus of voices that angers and despairs, yet cradles the speaker.