Offering

By TARA SKURTU

It was the first time I’d lived
with a man, and I wanted him

to translate the name of our street.
He was holding my cold fist

in his own, and we were on
Ofrandei, in the middle of unpaved

Bragadiru, Romania, on our way
home. It’s something you give

to get something—like a sacrifice.
Like what you do for a god.

                        *

I clawed at the cracked clay
with bare hands, planted blood-

brown calla lilies, daffodils.
Irises, pink peonies, white hyacinths.

I transplanted a living wall
of evergreens, lined the walk

with lavender. I watered
what I’d buried and waited.

                        *

After the rains, Ofrandei became
a lake. I’d climb along the unknown

neighbor’s fence, his silent dog
following me, pausing when I paused

to estimate the depth of the mud,
length of my jump, until one day

I was there and she wasn’t, and that was
the fall I left Offering Street

with some soil-caked pots, my raincoat,
patio set for two. In the front yard,

under the hood of the gas grill, I left
my keys—the man loved

to grill, so I’d bought him one and
rolled it into the garden I’d sown.

 

Tara Skurtu is a two-time U.S. Fulbright grantee and recipient of two Academy of American Poets Prizes, a Marcia Keach Memorial Poetry Prize, and a Robert Pinsky Global Fellowship. She is the author of The Amoeba Game.

[Purchase Issue 19 here.]

Offering

Related Posts

overgrown cemetary

March 2023 Poetry Feature: New Poems by Our Contributors

RICHARD MICHELSON
The wedding in the cemetery featured scripture, loud / music, two rabbis, and the bride dressed in a shroud / my grandfather tells me. / He’s inching toward the heart / of his lecture, while I’m composing till death do us part.

Image of a foggy evergreen forest

Evergreen

KEI LIM
At the tip of the mountain where / we scattered your ashes, then hers, / your father holds me / for the first time since I changed my name. / He gives me his old pocket knife— / the one meant for you with the hemlock handle.

an image of train tracks, seen through a window. reflection is faintly seen

Addis Ababa Beté

ABIGAIL MENGESHA
Steel kicks in this belly. // Girls with threadbare braids / weave between motor beasts and cement bags. // Tin roofs give way to glass columns. / Stretching as if to pet the clouds. // In the corners: cafés. // Where macchiatos are served / with a side of newspapers.