Pastoral

By MICHAEL DUMANIS

 

I was excited to see every sanctuary,
jaguar, then sloth. 
The bright fluted flowers taller than any
in central New Jersey
welcomed me along the periphery
of the dusty byway.
I spotted a kinkajou loping
over a telephone wire as awkwardly
as a three-legged cat
in a Wal-Mart parking lot.
To find out what it was
I had to Google it!
And even the blue jays
so common to me
were an epiphany! Here
in the cloud forest! Surrounded
by fronds and a network of curious
bats angling toward me,
I crossed a rope bridge
over a crevasse as if
in a special exhibit on tropics
in the botanical gardens
of Columbus, Ohio. On the bus
between beaches, a whispering
local offered each seat the chance
to buy contraband turtle eggs.
He was taken up,
in my memory, eagerly.
There was a great worry constantly
radiating through my arms
and my jawbone, a fire alarm
going inside my chest I couldn’t
turn off, smelling the blood
yield to smoke
in my arteries. I was convinced
I needed to find who I was
to make my life give my life
the illusion of purpose. This is why
I left behind everything,
but the holiday destination
with its swaying trees
wouldn’t tell me,
so I Googled, who am I,
and the predictive text,
presuming I was searching for
the lyrics to a mediocre song,
suggested: to be loved by you.
Still, I felt grateful for the sudden
glory of two morpho butterflies
as blue as the deep God-summoning
blue glass of Sainte-Chapelle
in Paris, where I remained a blur
for a good hour once
in hope of finding who I was,
cavorting in a DNA-like
figure-eight before me
as they mated, guilelessly,
through the abundant silver air
during their several
weeks in existence.

 

Michael Dumanis is the author of two poetry collections, Creature and My Soviet Union, winner of the Juniper Prize for Poetry. His poems have recently appeared, or are forthcoming, in The American Poetry Review, The Believer, Colorado Review, Denver Quarterly, Harvard Review, The Iowa Review, Ninth Letter, and Poetry. He teaches literature and creative writing at Bennington College and serves as editor of Bennington Review.

[Purchase Issue 23 here.]

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Pastoral

Related Posts

Hitting a Wall and Making a Door: A Conversation between Phillis Levin and Diane Mehta

DIANE MEHTA and PHILLIS LEVIN
This conversation took place over the course of weeks—over daily phone calls and long emails, meals when they were in the same place, and a weekend in the Connecticut countryside. The poets share what they draw from each other’s work, and the work of others, exploring the pleasures of language, geometric movement, and formal constraint.

Anna Malihot and Olena Jenning's headshots

August 2025 Poetry Feature: Anna Malihon, translated by Olena Jennings

ANNA MALIHON
The girl with a bullet in her stomach / runs across the highway to the forest / runs without saying goodbye / through the news, the noble mold of lofty speeches / through history, geography, / curfew, a day, a century / She is so young that the wind carries / her over the long boulevard between bridges

Image of a tomato seedling

Talks with the Besieged: Documentary Poetry from Occupied Ukraine  

ALEX AVERBUCH
Russians are already in Starobilsk / what nonsense / Dmytrovka and Zhukivka – who is there? / half a hundred bears went past in the / direction of Oleksiivka / write more clearly / what’s the situation in Novoaidar? / the bridge by café Natalie got blown up / according to unconfirmed reports